Quote

When I'm writing, I don't put faces on the characters. When I finish the first draft of the script, I start visualizing, and sometimes then I think about one actor.

Pedro Almodovar

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Pedro Almodovar
Age: 73
Born: 1951
Born: September 25
Actor
Director
Film Director
Film Producer
Screenwriter
Singer
Idioma: Español
Pedro Almodovar
Thinking
Faces
Visualizing
Actors
Draft
Character
Finish
Firsts
Script
First
Scripts
Sometimes
Characters
Writing
Actor
Think
Start

More quotes by Pedro Almodovar

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When I was young I thought: when I am 60 my necessities will be very different. As I get near that age, I realise they are similar to what they were when I was 25.
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I was born at a bad time for Spain, but a really good one for cinema.
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The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
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Hospitals are places that you have to stay in for a long time, even if you are a visitor. Time doesn't seem to pass in the same way in hospitals as it does in other places. Time seems to almost not exist in the same way as it does in other places.
Pedro Almodovar
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When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
Pedro Almodovar
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I used this line to demonstrate how important colors are in movies: It's not a caprice.
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Anything that is not autobiography is plagiarism.
Pedro Almodovar
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I'm really a nightmare for the fashion designer because I take away all of his authority, and I become the authority, and I turn him into my assistant. You could say I intervene, and I intervene in a very determining way in all the aspects that have to do with the visual construction of the film.
Pedro Almodovar
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I was always storytelling, since I was a child. I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
Pedro Almodovar
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The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
Pedro Almodovar
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Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.
Pedro Almodovar
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I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
Pedro Almodovar
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An ample arse helps you to be weighed down and be grounded.
Pedro Almodovar
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The 1980s really ended for me in 1992 with the film Kika.
Pedro Almodovar
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I think that there is always a part of utopia in any romantic relationship.
Pedro Almodovar
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I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
Pedro Almodovar
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I think that the consciousness of passion makes you act very differently.
Pedro Almodovar
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I think décor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
Pedro Almodovar
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Maybe it's the culture, maybe it's the cliché of Latino machismo, but the Mediterranean male character is more dull than the female character. Women are more surprising and they have fewer prejudices.
Pedro Almodovar
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Cukor is one of my favorite directors. He was a master at directing women.
Pedro Almodovar