Quote

When I'm writing, I don't put faces on the characters. When I finish the first draft of the script, I start visualizing, and sometimes then I think about one actor.

Pedro Almodovar

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Pedro Almodovar
Age: 73
Born: 1951
Born: September 25
Actor
Director
Film Director
Film Producer
Screenwriter
Singer
Idioma: Español
Pedro Almodovar
Character
Finish
Firsts
Script
First
Scripts
Sometimes
Characters
Writing
Actor
Think
Start
Thinking
Faces
Visualizing
Actors
Draft

More quotes by Pedro Almodovar

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Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.
Pedro Almodovar
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I think that the consciousness of passion makes you act very differently.
Pedro Almodovar
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The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
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I used this line to demonstrate how important colors are in movies: It's not a caprice.
Pedro Almodovar
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I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
Pedro Almodovar
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The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
Pedro Almodovar
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Anything that is not autobiography is plagiarism.
Pedro Almodovar
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The 1980s really ended for me in 1992 with the film Kika.
Pedro Almodovar
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I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
Pedro Almodovar
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When I was young I thought: when I am 60 my necessities will be very different. As I get near that age, I realise they are similar to what they were when I was 25.
Pedro Almodovar
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An ample arse helps you to be weighed down and be grounded.
Pedro Almodovar
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I think décor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
Pedro Almodovar
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When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
Pedro Almodovar
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A dead love never dies.
Pedro Almodovar
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Cukor is one of my favorite directors. He was a master at directing women.
Pedro Almodovar
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When I was very young, I was already a fabulador. I loved to give my own version of stories that everybody already knew. When I got out of a movie with my sisters, I retold them the whole story. In general they liked my version better than the one they had seen.
Pedro Almodovar
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I was born at a bad time for Spain, but a really good one for cinema.
Pedro Almodovar
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The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
Pedro Almodovar
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Maybe it's the culture, maybe it's the cliché of Latino machismo, but the Mediterranean male character is more dull than the female character. Women are more surprising and they have fewer prejudices.
Pedro Almodovar
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All my movies have an autobiographical dimension, but that is indirectly, through the characters. In fact I am behind everything that happens and that is said, but I am never talking about myself in first person. Something in me - probably a dislike of cheap exhibitionism- stops me from approaching a project too autobiographically.
Pedro Almodovar