Quote

I was born at a bad time for Spain, but a really good one for cinema.

Pedro Almodovar

Change background

T
T
T

Change font

TAGS & TOPICS

Pedro Almodovar
Age: 73
Born: 1951
Born: September 25
Actor
Director
Film Director
Film Producer
Screenwriter
Singer
Idioma: Español
Pedro Almodovar
Cinema
Born
Really
Good
Time
Spain

More quotes by Pedro Almodovar

Image
I was always storytelling, since I was a child. I remember myself at 10 years old telling stories to my sisters and brother. This is something I did through my adolescence and even through my twenties.
Pedro Almodovar
Image
I am partly not conscious of structure with my movies, but this is when I am writing. I leave my mind very free, and then I correct it after.
Pedro Almodovar
Image
I also wanted to express the strength of cinema to hide reality, while being entertaining. Cinema can fill in the empty spaces of your life and your loneliness.
Pedro Almodovar
Image
Maybe it's the culture, maybe it's the cliché of Latino machismo, but the Mediterranean male character is more dull than the female character. Women are more surprising and they have fewer prejudices.
Pedro Almodovar
Image
I think décor says a lot about someone's social position, their taste, their sensibility, their work - and also about the aesthetic way I have chosen to tell their story.
Pedro Almodovar
Image
I'm really a nightmare for the fashion designer because I take away all of his authority, and I become the authority, and I turn him into my assistant. You could say I intervene, and I intervene in a very determining way in all the aspects that have to do with the visual construction of the film.
Pedro Almodovar
Image
The challenge to me as a director was for the audience to see the film as going on in a straight line, so that they did not sense all of these break-ups. I did not want a film to be a collage of all these images.
Pedro Almodovar
Image
Anything that is not autobiography is plagiarism.
Pedro Almodovar
Image
The silent film has a lot of meanings. The first part of the film is comic. It represents the burlesque feel of those silent films. But I think that the second part of the film is full of tenderness and emotion.
Pedro Almodovar
Image
When I start writing, the first line might come from reality, but the second and the third one, I have to write it. So this is the genesis of my creation. If I want to know what happens, if I want to find out the secret, I have to write it.
Pedro Almodovar
Image
I used this line to demonstrate how important colors are in movies: It's not a caprice.
Pedro Almodovar
Image
Cukor is one of my favorite directors. He was a master at directing women.
Pedro Almodovar
Image
When I'm writing, I don't put faces on the characters. When I finish the first draft of the script, I start visualizing, and sometimes then I think about one actor.
Pedro Almodovar
Image
Whenever I arrive on a real location, I have to move around and work out what the best angles are going to be.
Pedro Almodovar
Image
I think that there is always a part of utopia in any romantic relationship.
Pedro Almodovar
Image
The Flower of My Secret is definitely more based in true emotions. I also wanted to make something more realistic, but not naturalistic or simple.
Pedro Almodovar
Image
A dead love never dies.
Pedro Almodovar
Image
The 1980s really ended for me in 1992 with the film Kika.
Pedro Almodovar
Image
All my movies have an autobiographical dimension, but that is indirectly, through the characters. In fact I am behind everything that happens and that is said, but I am never talking about myself in first person. Something in me - probably a dislike of cheap exhibitionism- stops me from approaching a project too autobiographically.
Pedro Almodovar
Image
Yes, women are stronger than us. They face more directly the problems that confront them, and for that reason they are much more spectacular to talk about. I don't know why I am more interested in women, because I don't go to any psychiatrists, and I don't want to know why.
Pedro Almodovar