Quote

I have a commission to do a piece in a place in California, Oliver Ranch, which has an eight-storey structure called The Tower designed by the visual artist Ann Hamilton.

Pauline Oliveros

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Pauline Oliveros
Age: 84 †
Born: 1932
Born: May 30
Died: 2016
Died: November 24
Accordionist
Composer
Music Theorist
Musician
University Teacher
Houston
Texas
Piece
Commission
Structure
Tower
Pieces
Towers
Called
Visuals
Artist
Visual
Place
Designed
Ranch
California
Oliver
Eight
Hamilton

More quotes by Pauline Oliveros

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It's going to take about a year or two for the transfer to be completed. We have a certification program so professionals can teach deep listening.
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It might be fun to have audience members wander up the ramps as well, so they can listen from different vantage points.
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When I composed the first sonic meditation, I realized that I was composing the direction of attention.
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When we had the San Francisco Tape Music Center, we had a couple of Ampex tape machines there, and I could string tape from one machine, past the heads, and over to the next machine to the supply-reel amp, and have another delay there.
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The mission [of institution] won't change. It will continue to be what it is: to spread the practice of deep listening and introduce it to people, to do workshops and retreats and certification programs and so on.
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My writing has always been a rather non-linear process. I've found if I get something down, I can listen to it and other things start to come.
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I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
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I can't really deal with buttons. And that's what I keep saying, Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand! .
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I got very interested in attention and awareness and how to achieve certain states through understanding this.
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Everybody improvises their way through every day. And so I do that with music.
Pauline Oliveros
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Those people who don't have any voluntary control, or hands, can work with the physical movement that they can do - whatever voluntary movement they have, even the slightest .
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[My interest in music] is from my mother and my grandmother, who were pianists, and they taught.
Pauline Oliveros
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My mother brought accordion home. She was going to learn to play it so she could teach it and increase her income. And I got fascinated with it, so she backed off and let me do it.
Pauline Oliveros
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Listening is selecting and interpreting and acting and making decisions.
Pauline Oliveros
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Listening is not the same as hearing and hearing is not the same as listening
Pauline Oliveros
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In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
Pauline Oliveros
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Something that I did, and I developed out of that sonic meditations, which were pieces that I composed in the '70s that now are very well-known and used in many classrooms all over the world, but at the time were outrageous.
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Before that, an 8-bit recording was pixelated it was really bad. It didn't serve what I was doing, which was recording live sound and delaying it and feeding it back. This is essentially what the EIS system is: a bunch of delays.
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It takes time because the habitual response to that is very deep. It goes back to our earliest responses as babies. You have to feel safe, and if a sound is threatening, you're going to be upset. There are those early responses, depending on how and what kind of experiences you had.
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I used to go into the studio around midnight and stay all night.
Pauline Oliveros