Quote

Those people who don't have any voluntary control, or hands, can work with the physical movement that they can do - whatever voluntary movement they have, even the slightest .

Pauline Oliveros

Change background

T
T
T

Change font

TAGS & TOPICS

Pauline Oliveros
Age: 84 †
Born: 1932
Born: May 30
Died: 2016
Died: November 24
Accordionist
Composer
Music Theorist
Musician
University Teacher
Houston
Texas
Even
Work
Voluntary
People
Slightest
Physical
Movement
Control
Whatever
Hands

More quotes by Pauline Oliveros

Image
[My interest in music] is from my mother and my grandmother, who were pianists, and they taught.
Pauline Oliveros
Image
Before that, an 8-bit recording was pixelated it was really bad. It didn't serve what I was doing, which was recording live sound and delaying it and feeding it back. This is essentially what the EIS system is: a bunch of delays.
Pauline Oliveros
Image
The mission [of institution] won't change. It will continue to be what it is: to spread the practice of deep listening and introduce it to people, to do workshops and retreats and certification programs and so on.
Pauline Oliveros
Image
My mother brought accordion home. She was going to learn to play it so she could teach it and increase her income. And I got fascinated with it, so she backed off and let me do it.
Pauline Oliveros
Image
I thought that it would be interesting to have a mirror and grab a light and shine it around in different ways. It's an analog to the acoustic reflections that we're going to be trying to activate as well.
Pauline Oliveros
Image
I felt a challenge to compose music. That's where my challenge was, for the most part.
Pauline Oliveros
Image
When we had the San Francisco Tape Music Center, we had a couple of Ampex tape machines there, and I could string tape from one machine, past the heads, and over to the next machine to the supply-reel amp, and have another delay there.
Pauline Oliveros
Image
When I composed the first sonic meditation, I realized that I was composing the direction of attention.
Pauline Oliveros
Image
I used to go into the studio around midnight and stay all night.
Pauline Oliveros
Image
The sound and just the fact that it was different from the piano, yet it still had some familiarity [made my fascinated with accordion].
Pauline Oliveros
Image
I got very interested in attention and awareness and how to achieve certain states through understanding this.
Pauline Oliveros
Image
A mouse and a keyboard is not a good performance instrument.
Pauline Oliveros
Image
I can't really deal with buttons. And that's what I keep saying, Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand! .
Pauline Oliveros
Image
I had a lot of good times. I had a lot of fun. I liked what I was doing, so I just kept doing it. At the Tape Music Center, I was working from midnight to four in the morning. Because then it was quiet, nobody was there, and I could just do my work. I didn't have to fool around.
Pauline Oliveros
Image
Something that I did, and I developed out of that sonic meditations, which were pieces that I composed in the '70s that now are very well-known and used in many classrooms all over the world, but at the time were outrageous.
Pauline Oliveros
Image
You run into stereotypes so that the stereotype filters who you are and what you do, and having to deal with that was the most frustrating thing for me.
Pauline Oliveros
Image
When I am composing, the sounds are leading me to the way I want them to organize.
Pauline Oliveros
Image
Listening is selecting and interpreting and acting and making decisions.
Pauline Oliveros
Image
My mother brought home the accordion in 1942. I was fascinated and wanted to learn to play it. Some of my music has a relationship to dance styles - The Well and the Gentle or The Wanderer for example.
Pauline Oliveros
Image
Radio broadcasting was only 25 years old when I was born in 1932.
Pauline Oliveros