Quote

Those people who don't have any voluntary control, or hands, can work with the physical movement that they can do - whatever voluntary movement they have, even the slightest .

Pauline Oliveros

Change background

T
T
T

Change font

TAGS & TOPICS

Pauline Oliveros
Age: 84 †
Born: 1932
Born: May 30
Died: 2016
Died: November 24
Accordionist
Composer
Music Theorist
Musician
University Teacher
Houston
Texas
Physical
Movement
Control
Whatever
Hands
Even
Work
Voluntary
People
Slightest

More quotes by Pauline Oliveros

Image
I had to cope with attitudes that were not supportive all along. I mean, you still have that.
Pauline Oliveros
Image
Listening is not the same as hearing and hearing is not the same as listening
Pauline Oliveros
Image
I got very interested in attention and awareness and how to achieve certain states through understanding this.
Pauline Oliveros
Image
I had a lot of good times. I had a lot of fun. I liked what I was doing, so I just kept doing it. At the Tape Music Center, I was working from midnight to four in the morning. Because then it was quiet, nobody was there, and I could just do my work. I didn't have to fool around.
Pauline Oliveros
Image
A mouse and a keyboard is not a good performance instrument.
Pauline Oliveros
Image
The sound and just the fact that it was different from the piano, yet it still had some familiarity [made my fascinated with accordion].
Pauline Oliveros
Image
I have a commission to do a piece in a place in California, Oliver Ranch, which has an eight-storey structure called The Tower designed by the visual artist Ann Hamilton.
Pauline Oliveros
Image
When I composed the first sonic meditation, I realized that I was composing the direction of attention.
Pauline Oliveros
Image
We think about sitting in a space and hearing some music by having our ears pointed forward towards the musicians sitting opposite us. I'm really not following that paradigm at all.
Pauline Oliveros
Image
Something that I did, and I developed out of that sonic meditations, which were pieces that I composed in the '70s that now are very well-known and used in many classrooms all over the world, but at the time were outrageous.
Pauline Oliveros
Image
I'll just say that I made my own explorations of tone by listening to a tone for a long time until I began to understand what my sensations were, what my mind was doing with tone.
Pauline Oliveros
Image
I can't really deal with buttons. And that's what I keep saying, Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand! .
Pauline Oliveros
Image
We have a very large constituency in the world from all of the years that we've done workshops, retreats, and talks. I would say there a few thousand people out there that have some relationship to what we do.
Pauline Oliveros
Image
The students were missing out a lot in their ensemble playing because they weren't listening to each other or the environment.
Pauline Oliveros
Image
Everybody improvises their way through every day. And so I do that with music.
Pauline Oliveros
Image
I felt a challenge to compose music. That's where my challenge was, for the most part.
Pauline Oliveros
Image
When I am composing, the sounds are leading me to the way I want them to organize.
Pauline Oliveros
Image
Listening is selecting and interpreting and acting and making decisions.
Pauline Oliveros
Image
My writing has always been a rather non-linear process. I've found if I get something down, I can listen to it and other things start to come.
Pauline Oliveros
Image
Deep Listening Institute is dissolving and is now the Center for Deep Listening at Rensselaer Polytechnic Institute (RPI). The legacy of the twenty or thirty years that we've been operating is now transferred to RPI.
Pauline Oliveros