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I'll just say that I made my own explorations of tone by listening to a tone for a long time until I began to understand what my sensations were, what my mind was doing with tone.

Pauline Oliveros

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Pauline Oliveros
Age: 84 †
Born: 1932
Born: May 30
Died: 2016
Died: November 24
Accordionist
Composer
Music Theorist
Musician
University Teacher
Houston
Texas
Made
Long
Explorations
Mind
Exploration
Time
Sensations
Tone
Began
Listening
Understand

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A mouse and a keyboard is not a good performance instrument.
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Everybody improvises their way through every day. And so I do that with music.
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In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
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It's going to take about a year or two for the transfer to be completed. We have a certification program so professionals can teach deep listening.
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Deep listening is experiencing heightened awareness or expanded awareness of sound and of silence, of quiet, and of sounding - making sounds.
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We have a very large constituency in the world from all of the years that we've done workshops, retreats, and talks. I would say there a few thousand people out there that have some relationship to what we do.
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It might be fun to have audience members wander up the ramps as well, so they can listen from different vantage points.
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My mother brought accordion home. She was going to learn to play it so she could teach it and increase her income. And I got fascinated with it, so she backed off and let me do it.
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I have a commission to do a piece in a place in California, Oliver Ranch, which has an eight-storey structure called The Tower designed by the visual artist Ann Hamilton.
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I had to cope with attitudes that were not supportive all along. I mean, you still have that.
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My writing has always been a rather non-linear process. I've found if I get something down, I can listen to it and other things start to come.
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[My interest in music] is from my mother and my grandmother, who were pianists, and they taught.
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Those people who don't have any voluntary control, or hands, can work with the physical movement that they can do - whatever voluntary movement they have, even the slightest .
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My mother brought home the accordion in 1942. I was fascinated and wanted to learn to play it. Some of my music has a relationship to dance styles - The Well and the Gentle or The Wanderer for example.
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You invent things like algorithms to take care of some of the changes you want to make. The changes aren't detectable. There's all kinds of things happening as I play.
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I got very interested in attention and awareness and how to achieve certain states through understanding this.
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When I am composing, the sounds are leading me to the way I want them to organize.
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I thought that it would be interesting to have a mirror and grab a light and shine it around in different ways. It's an analog to the acoustic reflections that we're going to be trying to activate as well.
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Listening is selecting and interpreting and acting and making decisions.
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Deep Listening Institute is dissolving and is now the Center for Deep Listening at Rensselaer Polytechnic Institute (RPI). The legacy of the twenty or thirty years that we've been operating is now transferred to RPI.
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