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I used to go into the studio around midnight and stay all night.

Pauline Oliveros

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Pauline Oliveros
Age: 84 †
Born: 1932
Born: May 30
Died: 2016
Died: November 24
Accordionist
Composer
Music Theorist
Musician
University Teacher
Houston
Texas
Night
Around
Used
Midnight
Studio
Studios
Stay

More quotes by Pauline Oliveros

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I thought that it would be interesting to have a mirror and grab a light and shine it around in different ways. It's an analog to the acoustic reflections that we're going to be trying to activate as well.
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I felt a challenge to compose music. That's where my challenge was, for the most part.
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Listening is not the same as hearing and hearing is not the same as listening
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Deep listening is experiencing heightened awareness or expanded awareness of sound and of silence, of quiet, and of sounding - making sounds.
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Deep Listening Institute is dissolving and is now the Center for Deep Listening at Rensselaer Polytechnic Institute (RPI). The legacy of the twenty or thirty years that we've been operating is now transferred to RPI.
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The sound and just the fact that it was different from the piano, yet it still had some familiarity [made my fascinated with accordion].
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When I am composing, the sounds are leading me to the way I want them to organize.
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The students were missing out a lot in their ensemble playing because they weren't listening to each other or the environment.
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Something that I did, and I developed out of that sonic meditations, which were pieces that I composed in the '70s that now are very well-known and used in many classrooms all over the world, but at the time were outrageous.
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I have a commission to do a piece in a place in California, Oliver Ranch, which has an eight-storey structure called The Tower designed by the visual artist Ann Hamilton.
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Radio broadcasting was only 25 years old when I was born in 1932.
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I got very interested in attention and awareness and how to achieve certain states through understanding this.
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In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
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When we had the San Francisco Tape Music Center, we had a couple of Ampex tape machines there, and I could string tape from one machine, past the heads, and over to the next machine to the supply-reel amp, and have another delay there.
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A mouse and a keyboard is not a good performance instrument.
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I had to cope with attitudes that were not supportive all along. I mean, you still have that.
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You invent things like algorithms to take care of some of the changes you want to make. The changes aren't detectable. There's all kinds of things happening as I play.
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I wrote my sonic meditations and started using them with students. I took a bunch of UCSD students out to Joshua Tree and we did the sonic meditations on the boulders.
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Listening is selecting and interpreting and acting and making decisions.
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I can't really deal with buttons. And that's what I keep saying, Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand! .
Pauline Oliveros