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Radio broadcasting was only 25 years old when I was born in 1932.

Pauline Oliveros

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Pauline Oliveros
Age: 84 †
Born: 1932
Born: May 30
Died: 2016
Died: November 24
Accordionist
Composer
Music Theorist
Musician
University Teacher
Houston
Texas
Broadcasting
Radio
Born
Years

More quotes by Pauline Oliveros

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Those people who don't have any voluntary control, or hands, can work with the physical movement that they can do - whatever voluntary movement they have, even the slightest .
Pauline Oliveros
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When I composed the first sonic meditation, I realized that I was composing the direction of attention.
Pauline Oliveros
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In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
Pauline Oliveros
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You invent things like algorithms to take care of some of the changes you want to make. The changes aren't detectable. There's all kinds of things happening as I play.
Pauline Oliveros
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[Students] they did the sonic meditations, I would observe them in their ensembles, and the ensembles improved incredibly. So I knew I had something to do and something to say.
Pauline Oliveros
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[My interest in music] is from my mother and my grandmother, who were pianists, and they taught.
Pauline Oliveros
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Deep Listening Institute is dissolving and is now the Center for Deep Listening at Rensselaer Polytechnic Institute (RPI). The legacy of the twenty or thirty years that we've been operating is now transferred to RPI.
Pauline Oliveros
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Listening is not the same as hearing and hearing is not the same as listening
Pauline Oliveros
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I had a lot of good times. I had a lot of fun. I liked what I was doing, so I just kept doing it. At the Tape Music Center, I was working from midnight to four in the morning. Because then it was quiet, nobody was there, and I could just do my work. I didn't have to fool around.
Pauline Oliveros
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I'll just say that I made my own explorations of tone by listening to a tone for a long time until I began to understand what my sensations were, what my mind was doing with tone.
Pauline Oliveros
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The sound and just the fact that it was different from the piano, yet it still had some familiarity [made my fascinated with accordion].
Pauline Oliveros
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There are these sounds that come from outside that work really well if you're listening. If you're not listening, if you're blocking them out, then you don't get it. You don't get the merger of what the players are doing with everything, listening to everything.
Pauline Oliveros
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A mouse and a keyboard is not a good performance instrument.
Pauline Oliveros
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I used to go into the studio around midnight and stay all night.
Pauline Oliveros
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When I am composing, the sounds are leading me to the way I want them to organize.
Pauline Oliveros
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I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
Pauline Oliveros
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I got very interested in attention and awareness and how to achieve certain states through understanding this.
Pauline Oliveros
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Deep listening is experiencing heightened awareness or expanded awareness of sound and of silence, of quiet, and of sounding - making sounds.
Pauline Oliveros
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It's going to take about a year or two for the transfer to be completed. We have a certification program so professionals can teach deep listening.
Pauline Oliveros
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I felt a challenge to compose music. That's where my challenge was, for the most part.
Pauline Oliveros