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The sound and just the fact that it was different from the piano, yet it still had some familiarity [made my fascinated with accordion].
Pauline Oliveros
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Pauline Oliveros
Age: 84 †
Born: 1932
Born: May 30
Died: 2016
Died: November 24
Accordionist
Composer
Music Theorist
Musician
University Teacher
Houston
Texas
Made
Fascinated
Piano
Sound
Fact
Facts
Stills
Accordions
Still
Accordion
Different
Familiarity
More quotes by Pauline Oliveros
My writing has always been a rather non-linear process. I've found if I get something down, I can listen to it and other things start to come.
Pauline Oliveros
I felt a challenge to compose music. That's where my challenge was, for the most part.
Pauline Oliveros
The mission [of institution] won't change. It will continue to be what it is: to spread the practice of deep listening and introduce it to people, to do workshops and retreats and certification programs and so on.
Pauline Oliveros
Before that, an 8-bit recording was pixelated it was really bad. It didn't serve what I was doing, which was recording live sound and delaying it and feeding it back. This is essentially what the EIS system is: a bunch of delays.
Pauline Oliveros
A mouse and a keyboard is not a good performance instrument.
Pauline Oliveros
The students were missing out a lot in their ensemble playing because they weren't listening to each other or the environment.
Pauline Oliveros
[My interest in music] is from my mother and my grandmother, who were pianists, and they taught.
Pauline Oliveros
You run into stereotypes so that the stereotype filters who you are and what you do, and having to deal with that was the most frustrating thing for me.
Pauline Oliveros
We think about sitting in a space and hearing some music by having our ears pointed forward towards the musicians sitting opposite us. I'm really not following that paradigm at all.
Pauline Oliveros
Listening is not the same as hearing and hearing is not the same as listening
Pauline Oliveros
My mother brought accordion home. She was going to learn to play it so she could teach it and increase her income. And I got fascinated with it, so she backed off and let me do it.
Pauline Oliveros
[Students] they did the sonic meditations, I would observe them in their ensembles, and the ensembles improved incredibly. So I knew I had something to do and something to say.
Pauline Oliveros
When I composed the first sonic meditation, I realized that I was composing the direction of attention.
Pauline Oliveros
I can't really deal with buttons. And that's what I keep saying, Okay, I can't push buttons, because that means I have to take my hands off the keyboard or the buttons or whatever. Don't you understand! .
Pauline Oliveros
I'm very interested in vertical space.I want the players to listen to their sound in such a way that they hear the complete sound they make before they make another one. So that means that they hear the tail of the sound. Because of the reverberation, there's always more to the sound than just the sound.
Pauline Oliveros
Deep listening is experiencing heightened awareness or expanded awareness of sound and of silence, of quiet, and of sounding - making sounds.
Pauline Oliveros
It might be fun to have audience members wander up the ramps as well, so they can listen from different vantage points.
Pauline Oliveros
I wrote my sonic meditations and started using them with students. I took a bunch of UCSD students out to Joshua Tree and we did the sonic meditations on the boulders.
Pauline Oliveros
When I am composing, the sounds are leading me to the way I want them to organize.
Pauline Oliveros
In the '60s my friends were interested and we were hearing electronic music coming in on community radio from Europe, so that's where it started. And I had a tape recorder and started making things with it.
Pauline Oliveros
