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Robert Redford ... has turned almost alarmingly blond-he's gone past platinum, he must be into plutonium his hair is coordinated with his teeth.

Pauline Kael

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Pauline Kael
Age: 82 †
Born: 1919
Born: June 19
Died: 2001
Died: September 3
Film Critic
Journalist
Writer
Petaluma
California
Teeth
Turned
Alarmingly
Hair
Redford
Almost
Plutonium
Gone
Coordinated
Past
Platinum
Must
Blond
Robert

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What's disgusting about the Dirty Harry movies is that Eastwood plays this angry tension as righteous indignation.
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It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.
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In the arts, the critic is the only independent source of information. The rest is advertising.
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Movies have been doing so much of the same thing - in slightly different ways - for so long that few of the possibilities of this great hybrid art have yet been explored.
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When I see those ads with the quote 'You'll have to see this picture twice,' I know it's the kind of picture I don't want to see once.
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Writers who go to Hollywood still follow the classic pattern: either you get disgusted by 'them' and you leave or you want the money and you become them.
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Since I have an aversion to movies in which people say grace at the dinner table (not to the practice but to how movies use it to establish the moral strength of a household), the opening night montage of Sunday-night supper in one home after another in Waxahachie, Texas in 1935 - a whole community saying grace made me expect the worst.
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What this generation was bred to at television's knees was not wisdom, but cynicism.
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Protagonists are always loners, almost by definition.
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Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces he is the artist as clown, as conjurer, as master funmaker.
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McLuhanism and the media have broken the back of the book business they've freed people from the shame of not reading. They've rationalized becoming stupid and watching television.
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At the movies, we are gradually being conditioned to accept violence as a sensual pleasure. The directors used to say they were showing us its real face and how ugly it was in order to sensitize us to its horrors. You don't have to be very keen to see that they are now in fact desensitizing us.
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For perhaps most Americans, TV is an apppliance, not to be used selectively but to be turned on - there's always something to watch.
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in show business there's not much point in asking yourself if someone really likes you or if he just thinks you can be useful to him, because there's no difference.
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Movies are our cheap and easy expression, the sullen art of displaced persons.
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Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows in a mass medium, the artist decays profitably.
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If you use Hollywood as the test tissue for mankind, what could the prognosis be?
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Great movies are rarely perfect movies.
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tasteful and colossal are - in movies, at least - basically antipathetic.
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The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
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