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Art doesn't come in measured quantities: it's got to be too much or it's not enough.

Pauline Kael

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Pauline Kael
Age: 82 †
Born: 1919
Born: June 19
Died: 2001
Died: September 3
Film Critic
Journalist
Writer
Petaluma
California
Measured
Quantity
Doesn
Art
Come
Enough
Much
Quantities

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in show business there's not much point in asking yourself if someone really likes you or if he just thinks you can be useful to him, because there's no difference.
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Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows in a mass medium, the artist decays profitably.
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The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes.
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I felt as if I had attended the funeral of someone I didn't know.
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Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.
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Good movies make you care, make you believe in possibilities again.
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I’m frequently asked why I don’t write my memoirs. I think I have.
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Really, it's not people who don't understand us who drive us nuts—it's when those who shouldn't, do.
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The slender, swift Bruce Lee was the Fred Astaire of martial arts, and many of the fights that could be merely brutal come across as lightning-fast choreography.
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It seems likely that many of the young who don't wait for others to call them artists, but simply announce that they are, don't have the patience to make art.
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Her only flair is in her nostrils.
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Being creative is having something to sell, or knowing how to sell something, or having sold something. It has taken over what we used to mean by being wised up knowing the tricks, the shortcuts.
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tasteful and colossal are - in movies, at least - basically antipathetic.
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Movies are our cheap and easy expression, the sullen art of displaced persons.
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The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
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If I never saw another fistfight or car chase or Doberman attack, I wouldn't have any feeling of loss. And that goes for Rottweilers, too.
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Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces he is the artist as clown, as conjurer, as master funmaker.
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What's disgusting about the Dirty Harry movies is that Eastwood plays this angry tension as righteous indignation.
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