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For a while in the twenties and thirties, art was talked about as a substitute for religion now B movies are a substitute for religion.

Pauline Kael

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Pauline Kael
Age: 82 †
Born: 1919
Born: June 19
Died: 2001
Died: September 3
Film Critic
Journalist
Writer
Petaluma
California
Talked
Twenties
Movies
Religion
Art
Thirties
Substitute
Substitutes

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What's disgusting about the Dirty Harry movies is that Eastwood plays this angry tension as righteous indignation.
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Movies are our cheap and easy expression, the sullen art of displaced persons.
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The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
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The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes.
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Art doesn't come in measured quantities: it's got to be too much or it's not enough.
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Really, it's not people who don't understand us who drive us nuts—it's when those who shouldn't, do.
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It seems likely that many of the young who don't wait for others to call them artists, but simply announce that they are, don't have the patience to make art.
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Robert Redford ... has turned almost alarmingly blond-he's gone past platinum, he must be into plutonium his hair is coordinated with his teeth.
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Since I have an aversion to movies in which people say grace at the dinner table (not to the practice but to how movies use it to establish the moral strength of a household), the opening night montage of Sunday-night supper in one home after another in Waxahachie, Texas in 1935 - a whole community saying grace made me expect the worst.
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All our advertising is propaganda, of course, but it has become so much a part of our life, is so pervasive, that we just don't know what it is propaganda for.
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McLuhanism and the media have broken the back of the book business they've freed people from the shame of not reading. They've rationalized becoming stupid and watching television.
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The critical task is necessarily comparative, and younger people do not truly know what is new
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When I see those ads with the quote 'You'll have to see this picture twice,' I know it's the kind of picture I don't want to see once.
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For perhaps most Americans, TV is an apppliance, not to be used selectively but to be turned on - there's always something to watch.
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I felt as if I had attended the funeral of someone I didn't know.
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in show business there's not much point in asking yourself if someone really likes you or if he just thinks you can be useful to him, because there's no difference.
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Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces he is the artist as clown, as conjurer, as master funmaker.
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Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.
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Television as we have it isn't an art form - it's a piece of furniture that is good for a few things.
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Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows in a mass medium, the artist decays profitably.
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