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Movies have been doing so much of the same thing - in slightly different ways - for so long that few of the possibilities of this great hybrid art have yet been explored.

Pauline Kael

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Pauline Kael
Age: 82 †
Born: 1919
Born: June 19
Died: 2001
Died: September 3
Film Critic
Journalist
Writer
Petaluma
California
Thing
Possibilities
Much
Possibility
Long
Movies
Way
Ways
Movie
Art
Explored
Great
Hybrid
Different
Slightly

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Robert Redford ... has turned almost alarmingly blond-he's gone past platinum, he must be into plutonium his hair is coordinated with his teeth.
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in show business there's not much point in asking yourself if someone really likes you or if he just thinks you can be useful to him, because there's no difference.
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Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces he is the artist as clown, as conjurer, as master funmaker.
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I’m frequently asked why I don’t write my memoirs. I think I have.
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It is a depressing fact that Americans tend to confuse morality and art (to the detriment of both) and that, among the educated, morality tends to mean social consciousness.
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For perhaps most Americans, TV is an apppliance, not to be used selectively but to be turned on - there's always something to watch.
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The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes.
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Her only flair is in her nostrils.
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The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
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Since I have an aversion to movies in which people say grace at the dinner table (not to the practice but to how movies use it to establish the moral strength of a household), the opening night montage of Sunday-night supper in one home after another in Waxahachie, Texas in 1935 - a whole community saying grace made me expect the worst.
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It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.
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If I never saw another fistfight or car chase or Doberman attack, I wouldn't have any feeling of loss. And that goes for Rottweilers, too.
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I live in a rather special world. I only know one person who voted for Nixon. Where they are I don't know. They're outside my ken. But sometimes when I'm in a theater I can feel them.
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Television as we have it isn't an art form - it's a piece of furniture that is good for a few things.
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The first prerogative of an artist in any medium is to make a fool of himself.
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tasteful and colossal are - in movies, at least - basically antipathetic.
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The slender, swift Bruce Lee was the Fred Astaire of martial arts, and many of the fights that could be merely brutal come across as lightning-fast choreography.
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A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again.
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McLuhanism and the media have broken the back of the book business they've freed people from the shame of not reading. They've rationalized becoming stupid and watching television.
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Irresponsibility is part of the pleasure of all art it is the part the schools cannot recognize.
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