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All our advertising is propaganda, of course, but it has become so much a part of our life, is so pervasive, that we just don't know what it is propaganda for.

Pauline Kael

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Pauline Kael
Age: 82 †
Born: 1919
Born: June 19
Died: 2001
Died: September 3
Film Critic
Journalist
Writer
Petaluma
California
Course
Become
Part
Much
Life
Pervasive
Propaganda
Advertising
Courses

More quotes by Pauline Kael

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Movies are our cheap and easy expression, the sullen art of displaced persons.
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The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
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Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces he is the artist as clown, as conjurer, as master funmaker.
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I felt as if I had attended the funeral of someone I didn't know.
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If you use Hollywood as the test tissue for mankind, what could the prognosis be?
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The first prerogative of an artist in any medium is to make a fool of himself.
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Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows in a mass medium, the artist decays profitably.
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in show business there's not much point in asking yourself if someone really likes you or if he just thinks you can be useful to him, because there's no difference.
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Protagonists are always loners, almost by definition.
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For a while in the twenties and thirties, art was talked about as a substitute for religion now B movies are a substitute for religion.
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When I see those ads with the quote 'You'll have to see this picture twice,' I know it's the kind of picture I don't want to see once.
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Irresponsibility is part of the pleasure of all art it is the part the schools cannot recognize.
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Television as we have it isn't an art form - it's a piece of furniture that is good for a few things.
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Since I have an aversion to movies in which people say grace at the dinner table (not to the practice but to how movies use it to establish the moral strength of a household), the opening night montage of Sunday-night supper in one home after another in Waxahachie, Texas in 1935 - a whole community saying grace made me expect the worst.
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A good movie can take you out of your dull funk and the hopelessness that so often goes with slipping into a theatre a good movie can make you feel alive again, in contact, not just lost in another city. Good movies make you care, make you believe in possibilities again.
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Writers who go to Hollywood still follow the classic pattern: either you get disgusted by 'them' and you leave or you want the money and you become them.
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The critical task is necessarily comparative, and younger people do not truly know what is new
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The worst thing about movie-making is that it's like life: nobody can go back to correct the mistakes.
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In a foreign country people don't expect you to be just like them, but in Los Angeles, which is infiltrating the world, they don't consider that you might be different because they don't recognize any values except their own. And soon there may not be any others.
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Movies are so rarely great art that if we cannot appreciate great trash we have very little reason to be interested in them.
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