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I’m frequently asked why I don’t write my memoirs. I think I have.

Pauline Kael

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Pauline Kael
Age: 82 †
Born: 1919
Born: June 19
Died: 2001
Died: September 3
Film Critic
Journalist
Writer
Petaluma
California
Thinking
Memoirs
Memoir
Frequently
Asked
Write
Writing
Think

More quotes by Pauline Kael

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Robert Redford ... has turned almost alarmingly blond-he's gone past platinum, he must be into plutonium his hair is coordinated with his teeth.
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tasteful and colossal are - in movies, at least - basically antipathetic.
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Really, it's not people who don't understand us who drive us nuts—it's when those who shouldn't, do.
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Allowing for exceptions, there is still one basic difference between the traditional arts and the mass-media arts: in the traditional arts, the artist grows in a mass medium, the artist decays profitably.
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in show business there's not much point in asking yourself if someone really likes you or if he just thinks you can be useful to him, because there's no difference.
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Trash has given us an appetite for art.
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Art doesn't come in measured quantities: it's got to be too much or it's not enough.
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Movies have been doing so much of the same thing - in slightly different ways - for so long that few of the possibilities of this great hybrid art have yet been explored.
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Movies are our cheap and easy expression, the sullen art of displaced persons.
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The romance of movies is not just in those stories and those people on the screen but in the adolescent dream of meeting others who feel as you do about what you’ve seen.
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In a foreign country people don't expect you to be just like them, but in Los Angeles, which is infiltrating the world, they don't consider that you might be different because they don't recognize any values except their own. And soon there may not be any others.
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a steady diet of mass culture is a form of deprivation.
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When I see those ads with the quote 'You'll have to see this picture twice,' I know it's the kind of picture I don't want to see once.
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If you use Hollywood as the test tissue for mankind, what could the prognosis be?
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What's disgusting about the Dirty Harry movies is that Eastwood plays this angry tension as righteous indignation.
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Being creative is having something to sell, or knowing how to sell something, or having sold something. It has taken over what we used to mean by being wised up knowing the tricks, the shortcuts.
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I am mystified. I know only one person who voted for Nixon.
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Picasso has a volatile, explosive presence. He seems to take art back to an earlier function, before the centuries of museums and masterpieces he is the artist as clown, as conjurer, as master funmaker.
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It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.
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The slender, swift Bruce Lee was the Fred Astaire of martial arts, and many of the fights that could be merely brutal come across as lightning-fast choreography.
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