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I think part of what we do is there is a bit of dandy influence, always, or a little sprinkle of it. Not literal Savile Row dandy, but there's a bit of sartorial dandiness in everything that we do - every collection that we do.

Paul Weller

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Paul Weller
Age: 66
Born: 1958
Born: May 25
Drummer
Guitarist
Musician
Recording Artist
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Singer-Songwriter
Woking
Surrey
John Weller
Paul Weller
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I'm always looking forward to what I'm doing now, and what's ahead.
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I think anybody goes through a crisis of confidence from time to time. You have to kind of doubt yourself, sometimes. It's the way forward.
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The '40s were quite austere and super glamorous.
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In all honesty, I don't know what one song can change.
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You can listen to music at any moment in the day or night. Which is great, but I think it kind of devalues it as well.
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I've not had Botox, no.
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There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them.
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It's just something internal that says, 'I've got to do this now. This is what I'm doing now.'
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I have to do what I'm doing at the time. That's the most important thing. You might lose some people along the way, and you might gain other people on the way, that's just the way it is. But nevertheless, if you're driven by something, there is no argument about it that's what you have to do.
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Even somebody like The Black Keys or Royal Blood, they all have this original roots base to what they do.
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You have to keep challenging yourself. I've always tried to do that, and I'm not saying I've always been successful. Maybe I've rewritten the same song it's inevitable, but I've always been mindful of taking the writing somewhere else. You can't stick in your little comfort zone.
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Ageism or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. Oh, they're too old to make films or write books. You know what I mean?
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I wanted to make a record that sounded like a continous piece
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I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really.
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I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand it just makes sense.
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If you take skinny jeans - skinny jeans didn't just happen in the US, they were happening in Japan, they were happening in the UK, they were happening everywhere. Some places a little faster than others. But, if we look at our best sellers in this store, they're the same best sellers that we have in the States.
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If you're making music, you must want to turn other people on to it, whether you're number one in the charts or number 60.
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There are so many artists who get to my age that get comfortable and just stick in a groove, and I really don't want to do that.
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The Jam were a good band, however I feel that the Style Council were better. A lot of people I know will disagree with me. Some things we did with The Style Council were misinterpreted or over their heads.
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Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.
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