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I think part of what we do is there is a bit of dandy influence, always, or a little sprinkle of it. Not literal Savile Row dandy, but there's a bit of sartorial dandiness in everything that we do - every collection that we do.

Paul Weller

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Paul Weller
Age: 66
Born: 1958
Born: May 25
Drummer
Guitarist
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Singer-Songwriter
Woking
Surrey
John Weller
Paul Weller
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If we get through for two minutes only it will be a start!
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The '40s were quite austere and super glamorous.
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It's just something internal that says, 'I've got to do this now. This is what I'm doing now.'
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I love the Kinks, but I like all sorts of music. If I stay at home at night and play records, I just go through the whole spectrum, really. I just love music.
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Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.
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I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
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I've not had Botox, no.
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I suppose I was much more serious-minded in the '70s and '80s.
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I think the world is really small today, and fashion, from that end of it, it's instantaneous everywhere.
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There's always something in most world folk musics that always seems connected whether it's a bagpipe or a tambura, there's always some sort of drone instrument, and there's always percussion.
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You have to keep challenging yourself. I've always tried to do that, and I'm not saying I've always been successful. Maybe I've rewritten the same song it's inevitable, but I've always been mindful of taking the writing somewhere else. You can't stick in your little comfort zone.
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I don't like the royal family, I don't like the establishment, I don't like the civil service.
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I have to do what I'm doing at the time. That's the most important thing. You might lose some people along the way, and you might gain other people on the way, that's just the way it is. But nevertheless, if you're driven by something, there is no argument about it that's what you have to do.
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In the past we used to come over to see what was going on in London or Paris or Milan or wherever - it's pretty much the same stuff everywhere [now], and people are wearing the same things, because it's all instantaneous with the Internet.
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It's a global fashion thing because of the Internet it has gotten really small. It's cluttered, but it's gotten small.
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Sometimes you're ahead of the game and sometimes people don't get it and that's just one of those things you have to accept and carry on.
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The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.
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When you look at so much of what we all love, there's either soul-based to it, or it's the blues. It's really the beginnings of any kind of music. It really is it all starts there. Because after that, it's music of the moment.
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I'm so lucky, I'm just really grateful for what I've got around me - children and my wife and everything else.
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I wanted to make a record that sounded like a continous piece
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