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I think part of what we do is there is a bit of dandy influence, always, or a little sprinkle of it. Not literal Savile Row dandy, but there's a bit of sartorial dandiness in everything that we do - every collection that we do.

Paul Weller

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Paul Weller
Age: 66
Born: 1958
Born: May 25
Drummer
Guitarist
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Singer-Songwriter
Woking
Surrey
John Weller
Paul Weller
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Littles
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Dandy
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I think anybody goes through a crisis of confidence from time to time. You have to kind of doubt yourself, sometimes. It's the way forward.
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Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.
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In the past we used to come over to see what was going on in London or Paris or Milan or wherever - it's pretty much the same stuff everywhere [now], and people are wearing the same things, because it's all instantaneous with the Internet.
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I don't like the royal family, I don't like the establishment, I don't like the civil service.
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The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.
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I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
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I'm still a mod, I'll always be a mod, you can bury me a mod.
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I never, ever wanted to be the Rolling Stones. Bless their hearts, but I dont necessarily want to go on doing the same old thing for the next 10, 20 years... I could see how easy it is to get into that rut, the whole touring mindset.
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There are areas of music that I've never been to before, so that's always nice thing to have in life. That there are other areas you haven't been to. You haven't covered all the ground, and there's plenty more uncharted territory to cover as well.
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People say that if you're still angry at 52, you're not an angry young man, just a grumpy old git.
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I've not had Botox, no.
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I'm always looking forward to what I'm doing now, and what's ahead.
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It's always good to play New York. The Apollo is a great gig. I loved that.
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I have to do what I'm doing at the time. That's the most important thing. You might lose some people along the way, and you might gain other people on the way, that's just the way it is. But nevertheless, if you're driven by something, there is no argument about it that's what you have to do.
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The whole nostalgia thing, and just sticking with what you always liked and what you know and not taking a chance on something or expanding. I think especially after a certain age.
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In my world [of fashion] there's more things that kind of affect it. There's the retailers we do business with, our own stores, my merchandising team... Everybody has opinions, and so you definitely have to filter through a lot.
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In my old age, my mind gets more open, and I listen to so many different types of music and I guess that all reflects in my work.
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You can listen to music at any moment in the day or night. Which is great, but I think it kind of devalues it as well.
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It's just something internal that says, 'I've got to do this now. This is what I'm doing now.'
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The '40s were quite austere and super glamorous.
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