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I think part of what we do is there is a bit of dandy influence, always, or a little sprinkle of it. Not literal Savile Row dandy, but there's a bit of sartorial dandiness in everything that we do - every collection that we do.

Paul Weller

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Paul Weller
Age: 66
Born: 1958
Born: May 25
Drummer
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Woking
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John Weller
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More quotes by Paul Weller

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I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
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It is nice to make a record and people like it, and it's encouraging.
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I'm so lucky, I'm just really grateful for what I've got around me - children and my wife and everything else.
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Pop music was supposed to be a flash in the pan, but here we are 50 years later and it means something to us, and it always will do. It's incredibly important.
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The Jam were a good band, however I feel that the Style Council were better. A lot of people I know will disagree with me. Some things we did with The Style Council were misinterpreted or over their heads.
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When you look at so much of what we all love, there's either soul-based to it, or it's the blues. It's really the beginnings of any kind of music. It really is it all starts there. Because after that, it's music of the moment.
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A lot of young artists and musicians that we work with, you think they're gonna want to come in and buy the rock star-looking leather jacket - whatever it is that you think they're gonna want. They all want a suit. They want a tuxedo jacket, they want a suit. They don't want to look like their dad in it, but they want a suit.
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Even somebody like The Black Keys or Royal Blood, they all have this original roots base to what they do.
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I think the world is really small today, and fashion, from that end of it, it's instantaneous everywhere.
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I'm still a mod, I'll always be a mod, you can bury me a mod.
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There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them.
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In my old age, my mind gets more open, and I listen to so many different types of music and I guess that all reflects in my work.
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It's always good to play New York. The Apollo is a great gig. I loved that.
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I don't think about what I can't do or what I shouldn't be doing. I just think there are endless possibilities musically, really.
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There are areas of music that I've never been to before, so that's always nice thing to have in life. That there are other areas you haven't been to. You haven't covered all the ground, and there's plenty more uncharted territory to cover as well.
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I'm always looking forward to what I'm doing now, and what's ahead.
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There's always something in most world folk musics that always seems connected whether it's a bagpipe or a tambura, there's always some sort of drone instrument, and there's always percussion.
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I suppose I was much more serious-minded in the '70s and '80s.
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I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand it just makes sense.
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Ageism or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. Oh, they're too old to make films or write books. You know what I mean?
Paul Weller