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There's always something in most world folk musics that always seems connected whether it's a bagpipe or a tambura, there's always some sort of drone instrument, and there's always percussion.
Paul Weller
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Paul Weller
Age: 66
Born: 1958
Born: May 25
Drummer
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Woking
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John Weller
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More quotes by Paul Weller
In the early-'60s, when you look at that period of time - up to the mod time - when everybody was wearing skinnier suits and skinny lapels and skinny ties - that came out of the States, and that was quite cool.
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If you're into a certain band, you're into the way they dress.
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Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.
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I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand it just makes sense.
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If you take skinny jeans - skinny jeans didn't just happen in the US, they were happening in Japan, they were happening in the UK, they were happening everywhere. Some places a little faster than others. But, if we look at our best sellers in this store, they're the same best sellers that we have in the States.
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The first thing I bought that was really stylish was in 1969 when I was eleven. I saved up for a black, grey and white tie-dye grandad vest. It was too big - they weren't catering for kids my age - and hung off me, but I loved it.
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I only put an album out every two or three years.
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I'm definitely obsessed about artists and the type of music and the playing and the tone and all that kind of thing - I'm not obsessed about what the best Beatles album is. I just think if The Beatles are great, they're great.
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There have been records I've been really, really pleased with that haven't connected with people. But I felt good about them.
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There's such a wealth of great music, clothes or whatever. There is so much great stuff out there, that why would you not still be interested if you've grown up in that kind of culture?
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Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.
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I wanted to make a record that sounded like a continous piece
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I don't like the royal family, I don't like the establishment, I don't like the civil service.
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I'm still a mod, I'll always be a mod, you can bury me a mod.
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When you look at so much of what we all love, there's either soul-based to it, or it's the blues. It's really the beginnings of any kind of music. It really is it all starts there. Because after that, it's music of the moment.
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You have to keep challenging yourself. I've always tried to do that, and I'm not saying I've always been successful. Maybe I've rewritten the same song it's inevitable, but I've always been mindful of taking the writing somewhere else. You can't stick in your little comfort zone.
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I really enjoy playing America. I like the audiences there. It's the home of a lot of music I grew up with.
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In my world [of fashion] there's more things that kind of affect it. There's the retailers we do business with, our own stores, my merchandising team... Everybody has opinions, and so you definitely have to filter through a lot.
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When I'm dead I wanna leave a body of work, like authors or great painters do.
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Sometimes you're ahead of the game and sometimes people don't get it and that's just one of those things you have to accept and carry on.
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