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There are so many artists who get to my age that get comfortable and just stick in a groove, and I really don't want to do that.

Paul Weller

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Paul Weller
Age: 66
Born: 1958
Born: May 25
Drummer
Guitarist
Musician
Recording Artist
Singer
Singer-Songwriter
Woking
Surrey
John Weller
Paul Weller
Paul
Many
Really
Groove
Stick
Sticks
Artists
Comfortable
Age
Artist

More quotes by Paul Weller

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I really enjoy playing America. I like the audiences there. It's the home of a lot of music I grew up with.
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I love soul music, that's my real love in life and in whatever shape or form it is.
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I'm still a mod, I'll always be a mod, you can bury me a mod.
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Ageism or whatever you want to call it, is a very English phenomenon. You don't get it too much in many other cultures. And no one says it about authors or poets or filmmakers. Oh, they're too old to make films or write books. You know what I mean?
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I want to hear as much music as I possibly can before I leave this mortal coil but it's impossible to hear it all because there's so much of it.
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The whole nostalgia thing, and just sticking with what you always liked and what you know and not taking a chance on something or expanding. I think especially after a certain age.
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Everyone gets frustrated and aggressive, and I'd sooner take my aggression out on a guitar than on a person.
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I'm so lucky, I'm just really grateful for what I've got around me - children and my wife and everything else.
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I saw an interview with Keith Richards. He said, 'How else could a kid in Dartford suddenly connect with and understand what Muddy Waters is singing?' There's a cultural difference, but there's just something in that music that subconsciously or internally you just understand it just makes sense.
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Coming from a little suburban town, I wasn't a hip city kid. I was quite the opposite, really. Songs like 'Saturday's Kids' rang a bell for kids all over the country. That song was about the kids I grew up with.
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The Beatles changed the world. They certainly changed my world, and many, many other individuals as well.
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It's always good to play New York. The Apollo is a great gig. I loved that.
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I suppose I was much more serious-minded in the '70s and '80s.
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I could write songs about politics, but I'm conscious of not writing songs that sound the same as the ones I wrote 30 years ago.
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I could say that 'Exile On Main Street' was my favourite or whatever, but I'm more about the songs and the artists and the sound that they bring.
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In all honesty, I don't know what one song can change.
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I look for that stimulation constantly. I'm looking for inspiration and stimulation. Not bored with what we've done.
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It's just something internal that says, 'I've got to do this now. This is what I'm doing now.'
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You can't live a lie. You have to follow your heart.
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I think part of what we do is there is a bit of dandy influence, always, or a little sprinkle of it. Not literal Savile Row dandy, but there's a bit of sartorial dandiness in everything that we do - every collection that we do.
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