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For example, we have developed an artistic and a literary culture. Nevertheless, the ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy.

Paul Virilio

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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Popular
Underdeveloped
Ideals
Technological
Remain
Nevertheless
Therefore
Literary
Outside
Practicals
Example
Practical
Democracy
Developed
Culture
Artistic

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Even among the elite, in government circles, technological culture is somewhat deficient.
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Jean Baudrillard is a friend of mine, I do not agree with him on that one! For me, the significance of the war in Kosovo was that it was a war that moved into space.
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From the original watchtower through the anchored balloon to the reconnaissance aircraft and remote sensing-satellites, one and the same function has been indefinitely repeated, the eye's function being the function of a weapon.
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The body is not simply the combination of dance, muscles, body-building, strength and sex: it is a universe.
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As I have said many times before, I was among the first people to experience the German Occupation of France during the Second World War. I was 7-13 years old during the War and did not really internalise its significance.
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I believe that philosophy is part of literature, and not the reverse.
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The field of vision is comparable, for me, to the terrain of an archaeological dig. To see is to be on guard, to wait for what emerges from the background, without any name, without any particular interest: what was silent will speak, what is closed will open and will take on a voice.
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I could give examples of cabinet ministers, including defence ministers, who have no technological culture at all. In other words, what I am suggesting is that the hype generated by the publicity around the Internet and so on is not counter balanced by a political intelligence that is based on a technological culture.
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I have always been interested in the architecture of war, as can be seen in Bunker Archeology. However, at the time that I did the research for that book, I was very young. My aim was to understand the notion of 'Total War'.
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To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.
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Concepts are mental images.
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In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.
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Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.
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In industrialized warfare, where the representation of events outstripped the presentation of facts, the image was starting to gain sway over the object, time over space. Soon a conflict of strategic and political interpretation would ensue, with radio and then radar completing the picture.
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Art is drama. Any relationship to art is also a relationship to death.
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Earth is already being integrated into the Pentagon, and the man in the Pentagon is already piloting the world war - or the Gulf War - as if he were a captain whose huge boat would have become his own body. Thus the body simulates the relationship to the world.
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To separate mind from body doesn't make any sense.
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All future wars, all future accidents will be live wars and live accidents.
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For the time being, technologies are colonizing our body through implants. We started with human implants, but research leads us to microtechnological implants.
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Now all we have to do to enter the realm of art is to take a car.
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