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For instance, the Persian Gulf War was a miniature world war. It took place in a small geographical area. In this sense it was a local war. But it was one that made use of all the power normally reserved for global war.

Paul Virilio

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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Place
Instance
Miniatures
Power
Global
Persian
Made
Areas
Gulf
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Took
Reserved
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Locals
War
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Miniature
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Local
Geographical

More quotes by Paul Virilio

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While the human gaze becomes more and more fixed, losing some of its natural speed and sensitivity, photographic shots, on the contrary, become even faster.
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Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.
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Whoever controls the territory possesses it.
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The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.
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I am of course thinking here about new planes such as the Sukhois. There is very little discussion about such developments but, for me, I am constantly astonished by the current developments within the Russian airforce.
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Today, almost all-current technologies put the speed of light to work.
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Digital messages and images matter less than their instantaneous delivery the shock effect always wins out over the consideration of the informational content.
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Cyberspace is an accident of the real. Virtual reality is the accident of reality itself.
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I don't believe in simulationism, I believe that the word is already old-fashioned. As I see it, new technologies are substituting a virtual reality for an actual reality. And this is more than a phase: it's a definite change.
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World War Two was a world war in space. It spread from Europe to Japan, to the Soviet Union, etc. World War Two was quite different from World War One which was geographically limited to Europe. But in the case of the Gulf War, we are dealing with a war which is extremely local in space, but global in time, since it is the first 'live' war.
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I have said many times before, interactivity is the equivalent of radioactivity. For interactivity effects a kind of disintegration, a kind of rupture.
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What will prevail is this will to reduce the world to the point where one could possess it. All military technologies reduce the world to nothing. And since military technologies are advanced technologies, what they actually sketch today is the future of the civil realm.
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Hence not only the crisis of geopolitics and geostrategy but also the shift towards the emergence and dominance of chronostrategy.
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You cannot dissociate birth from death, creation from destruction, good from evil. Thus any art is a form of drama standing between the two extreme poles of birth and death, just like life is drama. This is not sad, because to be alive means to be mortal, to pass through.
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Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.
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I am always concerned with ideas of territory and movement. Indeed, my first book after Bunker Archeology was entitled L'insecurite du territoire (1976).
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If we turn to the war in Kosovo, what do we find? We find the manipulation of the audience's emotions by the mass media.
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Television can only destroy.
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Possession of territory is not primarily about laws and contracts, but first and foremost a matter of movement and circulation.
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I believe that philosophy is part of literature, and not the reverse.
Paul Virilio