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There is, then, a link between the logistics of perception, the wars in Lebanon and the Gulf as well as with CNN and the Pentagon.

Paul Virilio

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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Well
Pentagon
Gulf
Link
Links
Wars
Perception
War
Logistics
Wells
Lebanon

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I have always been interested in the architecture of war, as can be seen in Bunker Archeology. However, at the time that I did the research for that book, I was very young. My aim was to understand the notion of 'Total War'.
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There is a buddhist proverb which I like a lot. It says: Every body deserves mercy. That means that every body is holy.
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Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.
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Science, which is not so attached to 'truth' as it once was, but more to immediate 'effectiveness', is now drifting towards a decline, it's civic fall from grace.
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Television can only destroy.
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In the very near future, and I stress this important point, it will no longer be war that is the continuation of politics by other means, it will be what I have dubbed 'the integral accident' that is the continuation of politics by other means.
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I don't believe in simulationism, I believe that the word is already old-fashioned. As I see it, new technologies are substituting a virtual reality for an actual reality. And this is more than a phase: it's a definite change.
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For the US, GPS are a form of sovereignty! It is hardly surprising, then, that the EU has proposed its own GPS in order to be able to localize and to compete with the American GPS.
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For example, it was this pack of wolves that sparked off the Rodney King affair a few years ago in Los Angeles. Let us consider the situation: a person videos Rodney King being beaten up by the cops. That person then sends in the footage to the TV station. Within hours riots flare up in the city!
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War was my university. Everything has proceeded from there.
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World War Two was a world war in space. It spread from Europe to Japan, to the Soviet Union, etc. World War Two was quite different from World War One which was geographically limited to Europe. But in the case of the Gulf War, we are dealing with a war which is extremely local in space, but global in time, since it is the first 'live' war.
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Now all we have to do to enter the realm of art is to take a car.
Paul Virilio
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Whoever controls the territory possesses it.
Paul Virilio
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Hence not only the crisis of geopolitics and geostrategy but also the shift towards the emergence and dominance of chronostrategy.
Paul Virilio
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Technologies first equipped the territorial body with bridges, aqueducts, railways, highways, airports, etc. Now that the most powerful technologies are becoming tiny - microtechnologies, all technologies can invade the body. These micro-machines will feed the body. Research is being conducted in order to create additional memory for instance.
Paul Virilio
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Under the Occupation, we in Nantes were denied access to the coast of the Atlantic Ocean. It was therefore not until after the War was over that I saw the sea for the first time, in the vicinity of St Nazaire. It was there that I discovered the bunkers.
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In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.
Paul Virilio
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For instance, the Persian Gulf War was a miniature world war. It took place in a small geographical area. In this sense it was a local war. But it was one that made use of all the power normally reserved for global war.
Paul Virilio
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I am always concerned with ideas of territory and movement. Indeed, my first book after Bunker Archeology was entitled L'insecurite du territoire (1976).
Paul Virilio
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While the human gaze becomes more and more fixed, losing some of its natural speed and sensitivity, photographic shots, on the contrary, become even faster.
Paul Virilio