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I am always concerned with ideas of territory and movement. Indeed, my first book after Bunker Archeology was entitled L'insecurite du territoire (1976).
Paul Virilio
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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
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Writer
Paris
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Always
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Archeology
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Bunkers
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More quotes by Paul Virilio
As I have said many times before, I was among the first people to experience the German Occupation of France during the Second World War. I was 7-13 years old during the War and did not really internalise its significance.
Paul Virilio
Even among the elite, in government circles, technological culture is somewhat deficient.
Paul Virilio
For instance, the Persian Gulf War was a miniature world war. It took place in a small geographical area. In this sense it was a local war. But it was one that made use of all the power normally reserved for global war.
Paul Virilio
There is a buddhist proverb which I like a lot. It says: Every body deserves mercy. That means that every body is holy.
Paul Virilio
I believe that the politics of intervention and the Kosovo war prompted a fresh resumption of the arms race worldwide.
Paul Virilio
Hence not only the crisis of geopolitics and geostrategy but also the shift towards the emergence and dominance of chronostrategy.
Paul Virilio
I believe that philosophy is part of literature, and not the reverse.
Paul Virilio
Today, everything is about speed and real time. We are no longer concerned with real space.
Paul Virilio
As I have been arguing for a long time now, there is a real need not simply for a political economy of wealth but also for a political economy of speed.
Paul Virilio
However, the Kosovo War took place in orbital space. In other words, war now takes place in 'aero-electro-magnetic space'. It is equivalent to the birth of a new type of flotilla, a home fleet, of a new type of naval power, but in orbital space!
Paul Virilio
The body is not simply the combination of dance, muscles, body-building, strength and sex: it is a universe.
Paul Virilio
If we turn to the war in Kosovo, what do we find? We find the manipulation of the audience's emotions by the mass media.
Paul Virilio
There can be no doubt about this. It even held true for the soldiers involved in the Kosovo War. For the soldiers stayed mostly in their barracks! In this way, polar inertia has truly become a mass phenomenon. And not only for the TV audiences watching the war at home but also for the army that watches the battle from the barracks.
Paul Virilio
For the strategies of deception are concerned with deceiving an opponent through the logistics of perception. But these strategies are not merely aimed at the Serbs or the Iraqis but also at all those who might support [Slobodan] Milosevic or Saddam Hussein.
Paul Virilio
For example, it was this pack of wolves that sparked off the Rodney King affair a few years ago in Los Angeles. Let us consider the situation: a person videos Rodney King being beaten up by the cops. That person then sends in the footage to the TV station. Within hours riots flare up in the city!
Paul Virilio
Earth is already being integrated into the Pentagon, and the man in the Pentagon is already piloting the world war - or the Gulf War - as if he were a captain whose huge boat would have become his own body. Thus the body simulates the relationship to the world.
Paul Virilio
If we consider my latest book, Strategie de la deception, what we need to focus on are the other aspects of the same phenomenon.
Paul Virilio
To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.
Paul Virilio
I am of course thinking here about new planes such as the Sukhois. There is very little discussion about such developments but, for me, I am constantly astonished by the current developments within the Russian airforce.
Paul Virilio
... the blinding Hiroshima flash... literally photographed the shadow cast by beings and things, so that every surface immediately became war's recording surface, its film.
Paul Virilio