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As I have said many times before, I was among the first people to experience the German Occupation of France during the Second World War. I was 7-13 years old during the War and did not really internalise its significance.

Paul Virilio

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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Many
France
Years
Among
Really
Second
World
Times
People
War
Experience
German
Firsts
Occupation
First
Significance

More quotes by Paul Virilio

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The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.
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I believe that the politics of intervention and the Kosovo war prompted a fresh resumption of the arms race worldwide.
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It will no longer be war that is the continuation of politics by other means, it will be what I have dubbed 'the integral accident' that is the continuation of politics by other means.
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I pursue through my research on speed and on my study of the organisation of the revolution of the means of transportation.
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As I have been arguing for a long time now, there is a real need not simply for a political economy of wealth but also for a political economy of speed.
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Let us put it this way, techno-scientific intelligence is presently insufficiently spread among society at large to enable us to interpret the sorts of techno-scientific advances that are taking shape today.
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GPS not only played a large and delocalizing role in the war in Kosovo but is increasingly playing a role in social life.
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The field of vision is comparable, for me, to the terrain of an archaeological dig. To see is to be on guard, to wait for what emerges from the background, without any name, without any particular interest: what was silent will speak, what is closed will open and will take on a voice.
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For the US, the Kosovo War was a success because it encouraged the development of the Pentagon's 'Revolution in Military Affairs' (RMA). The war provided a test site for experimentation, and paved the way for emergence of what I call in Strategie de la deception 'the second deterrence'.
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Science, which is not so attached to 'truth' as it once was, but more to immediate 'effectiveness', is now drifting towards a decline, it's civic fall from grace.
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The body has a dimension of simulation. The learning process, for instance: when one learns how to drive a car or a van, once in the van, one feels completely lost. But then, once you have learnt how to drive, the whole van is in your body. It is integrated into your body.
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Writing is not possible without images. Yet, images don't have to be descriptive they can be concepts.
Paul Virilio
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Television exposes the world to the accident. The world is exposed to accidents through television.
Paul Virilio
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Thus it is no longer a Caesar or a Napoleon who decides on the fate of any particular war but a piece of software! In short, the political intelligence of war and the political intelligence of society no longer penetrate the techno-scientific world.
Paul Virilio
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To separate mind from body doesn't make any sense.
Paul Virilio
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Despite the economic disaster that is Russia, there are still air shows taking place in the country.
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As I said back in 1984, the idea of logistics is not only about oil, about ammunitions and supplies but also about images.
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I could give examples of cabinet ministers, including defence ministers, who have no technological culture at all. In other words, what I am suggesting is that the hype generated by the publicity around the Internet and so on is not counter balanced by a political intelligence that is based on a technological culture.
Paul Virilio
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The atomic bomb provoked a specific accident.
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You cannot dissociate birth from death, creation from destruction, good from evil. Thus any art is a form of drama standing between the two extreme poles of birth and death, just like life is drama. This is not sad, because to be alive means to be mortal, to pass through.
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