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As I have said many times before, I was among the first people to experience the German Occupation of France during the Second World War. I was 7-13 years old during the War and did not really internalise its significance.

Paul Virilio

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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Many
France
Years
Among
Really
Second
World
Times
People
War
Experience
German
Firsts
Occupation
First
Significance

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For the time being, technologies are colonizing our body through implants. We started with human implants, but research leads us to microtechnological implants.
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Globalization cannot take shape without the speed of light.
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Under the Occupation, we in Nantes were denied access to the coast of the Atlantic Ocean. It was therefore not until after the War was over that I saw the sea for the first time, in the vicinity of St Nazaire. It was there that I discovered the bunkers.
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The atomic bomb provoked a specific accident.
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To separate mind from body doesn't make any sense.
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For instance, the Persian Gulf War was a miniature world war. It took place in a small geographical area. In this sense it was a local war. But it was one that made use of all the power normally reserved for global war.
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There are eyes everywhere. No blind spot left. What shall we dream of when everything becomes visible? We'll dream of being blind.
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In a way, technologies have negated the transcendental God in order to invent the machine-God. However, these two gods raise similar questions.
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I pursue through my research on speed and on my study of the organisation of the revolution of the means of transportation.
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Now all we have to do to enter the realm of art is to take a car.
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Let us put it this way, techno-scientific intelligence is presently insufficiently spread among society at large to enable us to interpret the sorts of techno-scientific advances that are taking shape today.
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For example, it was this pack of wolves that sparked off the Rodney King affair a few years ago in Los Angeles. Let us consider the situation: a person videos Rodney King being beaten up by the cops. That person then sends in the footage to the TV station. Within hours riots flare up in the city!
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Even among the elite, in government circles, technological culture is somewhat deficient.
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The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.
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For the US, the Kosovo War was a success because it encouraged the development of the Pentagon's 'Revolution in Military Affairs' (RMA). The war provided a test site for experimentation, and paved the way for emergence of what I call in Strategie de la deception 'the second deterrence'.
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Thus it is no longer a Caesar or a Napoleon who decides on the fate of any particular war but a piece of software! In short, the political intelligence of war and the political intelligence of society no longer penetrate the techno-scientific world.
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France and Germany were opposed to a maritime blockade of the Adriatic Sea without a mandate from the United Nations (UN). So, what we witnessed in Kosovo was an extraordinary war, a war waged solely with bombs from the air.
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The globally constituted accident can be compared to what people who work at the stock exchange call 'systemic risk'.
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If we turn to the war in Kosovo, what do we find? We find the manipulation of the audience's emotions by the mass media.
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I don't believe in simulationism, I believe that the word is already old-fashioned. As I see it, new technologies are substituting a virtual reality for an actual reality. And this is more than a phase: it's a definite change.
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