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In a way, technologies have negated the transcendental God in order to invent the machine-God. However, these two gods raise similar questions.

Paul Virilio

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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Machines
Transcendental
Questions
Technologies
However
Invent
Technology
Similar
Order
Machine
Two
Raise
Way
Gods
Raises
Negated

More quotes by Paul Virilio

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If we turn to the war in Kosovo, what do we find? We find the manipulation of the audience's emotions by the mass media.
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What will prevail is this will to reduce the world to the point where one could possess it. All military technologies reduce the world to nothing. And since military technologies are advanced technologies, what they actually sketch today is the future of the civil realm.
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Art is drama. Any relationship to art is also a relationship to death.
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Technologies first equipped the territorial body with bridges, aqueducts, railways, highways, airports, etc. Now that the most powerful technologies are becoming tiny - microtechnologies, all technologies can invade the body. These micro-machines will feed the body. Research is being conducted in order to create additional memory for instance.
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For the US, the Kosovo War was a success because it encouraged the development of the Pentagon's 'Revolution in Military Affairs' (RMA). The war provided a test site for experimentation, and paved the way for emergence of what I call in Strategie de la deception 'the second deterrence'.
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For example, it was this pack of wolves that sparked off the Rodney King affair a few years ago in Los Angeles. Let us consider the situation: a person videos Rodney King being beaten up by the cops. That person then sends in the footage to the TV station. Within hours riots flare up in the city!
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It will no longer be war that is the continuation of politics by other means, it will be what I have dubbed 'the integral accident' that is the continuation of politics by other means.
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Thus it is no longer a Caesar or a Napoleon who decides on the fate of any particular war but a piece of software! In short, the political intelligence of war and the political intelligence of society no longer penetrate the techno-scientific world.
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Today, everything is about speed and real time. We are no longer concerned with real space.
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For me, the Asian financial crisis of 1998 and the war in Kosovo in 1999 are the prelude to the integral accident.
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The cinema was certainly an art, but television can't be, because it is the museum of accidents. In other words, its art is to be the site where all accidents happen. But that's its only art.
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Let us put it this way, techno-scientific intelligence is presently insufficiently spread among society at large to enable us to interpret the sorts of techno-scientific advances that are taking shape today.
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All future wars, all future accidents will be live wars and live accidents.
Paul Virilio
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Jean Baudrillard is a friend of mine, I do not agree with him on that one! For me, the significance of the war in Kosovo was that it was a war that moved into space.
Paul Virilio
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Cyberspace is an accident of the real. Virtual reality is the accident of reality itself.
Paul Virilio
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I believe that philosophy is part of literature, and not the reverse.
Paul Virilio
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To regain our liberty (and our distance), we must slow the images down.
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I think that cinema and television have nothing in common. There is a breaking point between photography and cinema on the one hand and television and virtual reality on the other hand.
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I am of course thinking here about new planes such as the Sukhois. There is very little discussion about such developments but, for me, I am constantly astonished by the current developments within the Russian airforce.
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For instance, the Persian Gulf War was a miniature world war. It took place in a small geographical area. In this sense it was a local war. But it was one that made use of all the power normally reserved for global war.
Paul Virilio