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In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.
Paul Virilio
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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Real
Phenomenon
Way
Mad
Wounds
Madness
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Distorted
Everybody
Wound
Persons
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For example, we have developed an artistic and a literary culture. Nevertheless, the ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy.
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Even among the elite, in government circles, technological culture is somewhat deficient.
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Cyberspace is an accident of the real. Virtual reality is the accident of reality itself.
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Today, almost all-current technologies put the speed of light to work.
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Possession of territory is not primarily about laws and contracts, but first and foremost a matter of movement and circulation.
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Today, everything is about speed and real time. We are no longer concerned with real space.
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I could give examples of cabinet ministers, including defence ministers, who have no technological culture at all. In other words, what I am suggesting is that the hype generated by the publicity around the Internet and so on is not counter balanced by a political intelligence that is based on a technological culture.
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For instance, the Persian Gulf War was a miniature world war. It took place in a small geographical area. In this sense it was a local war. But it was one that made use of all the power normally reserved for global war.
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There can be no doubt about this. It even held true for the soldiers involved in the Kosovo War. For the soldiers stayed mostly in their barracks! In this way, polar inertia has truly become a mass phenomenon. And not only for the TV audiences watching the war at home but also for the army that watches the battle from the barracks.
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Under the Occupation, we in Nantes were denied access to the coast of the Atlantic Ocean. It was therefore not until after the War was over that I saw the sea for the first time, in the vicinity of St Nazaire. It was there that I discovered the bunkers.
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Art is drama. Any relationship to art is also a relationship to death.
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There is a buddhist proverb which I like a lot. It says: Every body deserves mercy. That means that every body is holy.
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... the blinding Hiroshima flash... literally photographed the shadow cast by beings and things, so that every surface immediately became war's recording surface, its film.
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The atomic bomb provoked a specific accident.
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World War Two was a world war in space. It spread from Europe to Japan, to the Soviet Union, etc. World War Two was quite different from World War One which was geographically limited to Europe. But in the case of the Gulf War, we are dealing with a war which is extremely local in space, but global in time, since it is the first 'live' war.
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All future wars, all future accidents will be live wars and live accidents.
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The globally constituted accident can be compared to what people who work at the stock exchange call 'systemic risk'.
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Let us put it this way, techno-scientific intelligence is presently insufficiently spread among society at large to enable us to interpret the sorts of techno-scientific advances that are taking shape today.
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From the original watchtower through the anchored balloon to the reconnaissance aircraft and remote sensing-satellites, one and the same function has been indefinitely repeated, the eye's function being the function of a weapon.
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As I said back in 1984, the idea of logistics is not only about oil, about ammunitions and supplies but also about images.
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