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The creation of a virtual image is a form of accident. This explains why virtual reality is a cosmic accident. It's the accident of the real.
Paul Virilio
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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Reality
Form
Virtual
Real
Explains
Cosmic
Accident
Accidents
Image
Creation
More quotes by Paul Virilio
The atomic bomb provoked a specific accident.
Paul Virilio
Technologies first equipped the territorial body with bridges, aqueducts, railways, highways, airports, etc. Now that the most powerful technologies are becoming tiny - microtechnologies, all technologies can invade the body. These micro-machines will feed the body. Research is being conducted in order to create additional memory for instance.
Paul Virilio
I don't believe in simulationism, I believe that the word is already old-fashioned. As I see it, new technologies are substituting a virtual reality for an actual reality. And this is more than a phase: it's a definite change.
Paul Virilio
There is, then, a link between the logistics of perception, the wars in Lebanon and the Gulf as well as with CNN and the Pentagon.
Paul Virilio
Resistance is always possible! But we must engage in resistance first of all by developing the idea of a technological culture.
Paul Virilio
For the US, the Kosovo War was a success because it encouraged the development of the Pentagon's 'Revolution in Military Affairs' (RMA). The war provided a test site for experimentation, and paved the way for emergence of what I call in Strategie de la deception 'the second deterrence'.
Paul Virilio
Whoever controls the territory possesses it.
Paul Virilio
All future wars, all future accidents will be live wars and live accidents.
Paul Virilio
If we turn to the war in Kosovo, what do we find? We find the manipulation of the audience's emotions by the mass media.
Paul Virilio
World War Two was a world war in space. It spread from Europe to Japan, to the Soviet Union, etc. World War Two was quite different from World War One which was geographically limited to Europe. But in the case of the Gulf War, we are dealing with a war which is extremely local in space, but global in time, since it is the first 'live' war.
Paul Virilio
I believe that the politics of intervention and the Kosovo war prompted a fresh resumption of the arms race worldwide.
Paul Virilio
From the original watchtower through the anchored balloon to the reconnaissance aircraft and remote sensing-satellites, one and the same function has been indefinitely repeated, the eye's function being the function of a weapon.
Paul Virilio
I have always been interested in the architecture of war, as can be seen in Bunker Archeology. However, at the time that I did the research for that book, I was very young. My aim was to understand the notion of 'Total War'.
Paul Virilio
France and Germany were opposed to a maritime blockade of the Adriatic Sea without a mandate from the United Nations (UN). So, what we witnessed in Kosovo was an extraordinary war, a war waged solely with bombs from the air.
Paul Virilio
Jean Baudrillard is a friend of mine, I do not agree with him on that one! For me, the significance of the war in Kosovo was that it was a war that moved into space.
Paul Virilio
GPS not only played a large and delocalizing role in the war in Kosovo but is increasingly playing a role in social life.
Paul Virilio
To regain our liberty (and our distance), we must slow the images down.
Paul Virilio
Now all we have to do to enter the realm of art is to take a car.
Paul Virilio
Already, viral contamination offers an initial response to the question of the downside of electronic circuits, but another area of research beckons the area of ecological pollution. The pollution not only of air, water, and other substances, but also the unperceived pollution of distances.
Paul Virilio
In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.
Paul Virilio