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From the original watchtower through the anchored balloon to the reconnaissance aircraft and remote sensing-satellites, one and the same function has been indefinitely repeated, the eye's function being the function of a weapon.

Paul Virilio

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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Weapon
Sensing
Originals
Indefinitely
Original
Balloon
Function
Satellites
Weapons
Balloons
Eye
Aircraft
Remote
Reconnaissance
Repeated
Anchored

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Television was first conceived to be used as some kind of telescope, not for broadcasting. Originally, Sworkin, the inventor of television, wanted to settle cameras on rockets so that it would be possible to watch the sky.
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Jean Baudrillard is a friend of mine, I do not agree with him on that one! For me, the significance of the war in Kosovo was that it was a war that moved into space.
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Globalization cannot take shape without the speed of light.
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Science, which is not so attached to 'truth' as it once was, but more to immediate 'effectiveness', is now drifting towards a decline, it's civic fall from grace.
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Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.
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For the strategies of deception are concerned with deceiving an opponent through the logistics of perception. But these strategies are not merely aimed at the Serbs or the Iraqis but also at all those who might support [Slobodan] Milosevic or Saddam Hussein.
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To regain our liberty (and our distance), we must slow the images down.
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For the US, the Kosovo War was a success because it encouraged the development of the Pentagon's 'Revolution in Military Affairs' (RMA). The war provided a test site for experimentation, and paved the way for emergence of what I call in Strategie de la deception 'the second deterrence'.
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I am very interested in and that is what Sun Tzu in his ancient Chinese text calls The Art of War.
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While the human gaze becomes more and more fixed, losing some of its natural speed and sensitivity, photographic shots, on the contrary, become even faster.
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Digital messages and images matter less than their instantaneous delivery the shock effect always wins out over the consideration of the informational content.
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The globally constituted accident can be compared to what people who work at the stock exchange call 'systemic risk'.
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... the blinding Hiroshima flash... literally photographed the shadow cast by beings and things, so that every surface immediately became war's recording surface, its film.
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In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.
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You cannot dissociate birth from death, creation from destruction, good from evil. Thus any art is a form of drama standing between the two extreme poles of birth and death, just like life is drama. This is not sad, because to be alive means to be mortal, to pass through.
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There are eyes everywhere. No blind spot left. What shall we dream of when everything becomes visible? We'll dream of being blind.
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Despite the economic disaster that is Russia, there are still air shows taking place in the country.
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For the time being, technologies are colonizing our body through implants. We started with human implants, but research leads us to microtechnological implants.
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If we turn to the war in Kosovo, what do we find? We find the manipulation of the audience's emotions by the mass media.
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In the very near future, and I stress this important point, it will no longer be war that is the continuation of politics by other means, it will be what I have dubbed 'the integral accident' that is the continuation of politics by other means.
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