Quote

From the original watchtower through the anchored balloon to the reconnaissance aircraft and remote sensing-satellites, one and the same function has been indefinitely repeated, the eye's function being the function of a weapon.

Paul Virilio

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Paul Virilio
Age: 86 †
Born: 1932
Born: January 4
Died: 2018
Died: September 10
Architect
Art Theorist
Exhibition Curator
Painter
Philosopher
Photographer
Sociologist
Urban Planner
Writer
Paris
France
Reconnaissance
Remote
Anchored
Repeated
Sensing
Weapon
Indefinitely
Originals
Balloon
Original
Satellites
Function
Balloons
Weapons
Eye
Aircraft

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Despite the economic disaster that is Russia, there are still air shows taking place in the country.
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The field of vision is comparable, for me, to the terrain of an archaeological dig. To see is to be on guard, to wait for what emerges from the background, without any name, without any particular interest: what was silent will speak, what is closed will open and will take on a voice.
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As I said back in 1984, the idea of logistics is not only about oil, about ammunitions and supplies but also about images.
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Whoever controls the territory possesses it.
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There can be no doubt about this. It even held true for the soldiers involved in the Kosovo War. For the soldiers stayed mostly in their barracks! In this way, polar inertia has truly become a mass phenomenon. And not only for the TV audiences watching the war at home but also for the army that watches the battle from the barracks.
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All future wars, all future accidents will be live wars and live accidents.
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To someone like Zurbaran, who paints still lifes, lemons and pears are the objects of art. But to the electronics engineer who works on the technologies of virtual reality, the whole reality has become the object of art, with a possibility to substitute the virtual with the real.
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Resistance is always possible! But we must engage in resistance first of all by developing the idea of a technological culture.
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If we consider my latest book, Strategie de la deception, what we need to focus on are the other aspects of the same phenomenon.
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The body is not simply the combination of dance, muscles, body-building, strength and sex: it is a universe.
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To regain our liberty (and our distance), we must slow the images down.
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In the very near future, and I stress this important point, it will no longer be war that is the continuation of politics by other means, it will be what I have dubbed 'the integral accident' that is the continuation of politics by other means.
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Writing is not possible without images. Yet, images don't have to be descriptive they can be concepts.
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I think that cinema and television have nothing in common. There is a breaking point between photography and cinema on the one hand and television and virtual reality on the other hand.
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Art has become more than painting, sculpture or music: art is more than Van Gogh painting a landscape or Wagner composing an opera. The whole of reality itself has become the object of art.
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I am very interested in and that is what Sun Tzu in his ancient Chinese text calls The Art of War.
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Video is originally a de-corporation, a disqualification of the sensorial organs which are replaced by machines. The eye and the hand are replaced by the data glove, the body is replaced by a data suit, sex is replaced by cybersex. All the qualities of the body are transferred to the machine.
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For example, we have developed an artistic and a literary culture. Nevertheless, the ideals of technological culture remain underdeveloped and therefore outside of popular culture and the practical ideals of democracy.
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Thus it is no longer a Caesar or a Napoleon who decides on the fate of any particular war but a piece of software! In short, the political intelligence of war and the political intelligence of society no longer penetrate the techno-scientific world.
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In a way, everybody is wounded from the wound of the real. This phenomenon is similar to madness. The mad person is wounded by his or her distorted relationship to the real.
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