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How do I respond to criticism? Critically. I listen to all criticism critically.

Paul Thomas Anderson

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Paul Thomas Anderson
Age: 54
Born: 1970
Born: June 26
Film Director
Film Producer
Screenwriter
Studio City
Los Angeles
P. T. Anderson
Paul Anderson
PTA
Critically
Respond
Criticism
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More quotes by Paul Thomas Anderson

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I've never been a fan of whimsical or confusing storytelling.
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As I have got older and become a father, there's less and less time for films.
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If you figure a way to live without serving a master, any master, then let the rest of us know, will you? For you'd be the first person in the history of the world.
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I don't want to be the angry guy.
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We’re all children of Kubrick, aren’t we? Is there anything you can do that he hasn’t done?
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I am always looking for that nuance, that moment of truth, and you can't really do that fast.
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I write from my stomach.
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Film school is a complete con, because the information is there if you want it.
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Crazy is so hard to play, there's nothing you can really tell an actor.
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I remember being taught in school that you would underline things that you liked. I remember just underlining everything as a kid, thinking, 'This has all gotta be important!' I would just underline the whole thing!
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You know, I'm really not that competent at describing things musically.
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I always had a dream about trying to make a movie that had no dialogue in it, that was just music and pictures. I still haven't done it yet, but I tried to get close in the beginning.
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To make a film, the final big collaborator that you have is the composer.
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I'm completely aware of the fact that I'm a control freak.
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It's a gamble you take, the risk of alienating an audience. But there's a theory - sometimes it's better to confuse them for five minutes than let them get ahead of you for 10 seconds.
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I'm not really a Sundance baby, but they helped me so much I feel I have to acknowledge it.
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Clinton used to like to get out of the White House a lot. He would take night trips to McDonald's, and stuff like that. I think he wanted to get out of the house.
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I don't miss scenes at all the way that I used to miss them when I was younger making a film. It's actually quite fun to get rid of them now.
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Screenwriting is like ironing. You move forward a little bit and go back and smooth things out.
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You write who you are. But you also cheat, and youwrite what you want to be. It's embarrasing to be the guy who madethe movie, knowing you're not exactly who you want to be.
Paul Thomas Anderson