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I was painting furniture, learning to stencil, and explore all kinds of traditional techniques of decoration. I learned from books that I picked up.

Paul Smith

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Paul Smith
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I'm very curious and being childlike is vital in our industry
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It was only when I got to high school and was in the art program that my artistic talent was recognized. The art program was directed by a wonderful and a very important person in my life - Charlotte Ranger, who was referred to as Mrs. Ranger. She had been teaching in the school for many years.
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I learned from books that I picked up. That was something that just came out of nowhere but continued to be an attraction. So there was a continuum of my interest in the arts and involvement in creating that was strong enough that it later blossomed into much more.
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There were neighbors that I played with and did all the things that children do. I did mow the lawn. I did help with various things that needed to be done to occupy my time.
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I developed friends in the community that were in walking distance or a bicycle ride away, so that I socialized and did a lot of things that children do in their early years.
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I know that I was conscious of all the aspects of the war, having had cousins who were in the army, who would send me notes and memorabilia. I began to collect things that they would send me.
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The class situation [at Art Institute on Elmwood Avenue] was such that one would be very much on their own to paint or draw. The faculty was roving to give opinions or help out technically, which all the faculty did very well.
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People, even children, aren't really afraid of change. They're afraid of not being prepared for change.
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Maybe that's what I've based my career on: getting up earlier than everyone else so I get an extra couple of hours.
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What I adore is mixing the unexpected, things you don't imagine should go together
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We've got a nation of people who have one eye looking out for the next speed camera, another looking for a speed limit sign and another looking at the speedometer - which is a bit of a shame, when you only have two eyes.
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Stop making sense. Logic is predictable. Think differently.
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Experience is the best teacher. A compelling story is a close second.
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I got the letter about becoming a Sir in 2000, the same year that Pauline asked me if we could finally get married. My assistant, Colette, called up and it turned out both the wedding and the Buck House ceremony were happening on the same day. I was knighted at 11 and married at four. She became an instant Lady.
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Upon graduation, in the yearbook I was voted Most likely to succeed. which I know was credited to my artistic achievements.
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Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
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When knowledge is scant or conflicting, folklore takes over.
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Many people look but they do not see.
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At one point I had dreams of being in the school band, but I didn't play an instrument that qualified me, and that was a problem. I always had fantasies to be part of that, but I did take my piano lessons quite seriously.
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One association with the arts that I vividly remember was a magazine called Normal Instructor, a teachers' magazine, that Miss George would hold up with illustrations of great artworks like [Vincent] van Gogh and Rembrandt [van Rijn].
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