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It was mainly a growing farm, although we did have chickens and a few animals, but I did help to some degree with that. I have to say that it was not my favorite association.I did what I was asked to do.
Paul Smith
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More quotes by Paul Smith
What I adore is mixing the unexpected, things you don't imagine should go together
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Fashion is about today and tomorrow. Nobody cares how good you used to be
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Being born in '31 was during the Depression and in my earlier youth World War II took place - so it was not the best of times, and yet I don't recall ever having experiences that were a burden.
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I was always kind of naïve, and really needed to be given some direction.
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My parents' names were Florian and Mabel Smith. My mother's maiden name was Dersam. They were of German heritage and were part of a family community with my grandparents and uncles and relatives. I was an only child.
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I think there were some programs but in those days art programs were kind of basic. You would do drawing and simple collage type work. But at home I was beginning to get interested in doing my own thing as well. I'm not sure what inspired this, but I became very interested in decorating things.
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I was always making things. I made model airplanes and did a number of hands-on activities. I liked creating in some form or another, not realizing what it was all about.
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At home, the radio was a big source and the classic radio programs we would listen to like Amos and Andy and whatever other ones there were.
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Even today, the bigger the city, the better. That's why I live in New York.
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I was painting furniture, learning to stencil, and explore all kinds of traditional techniques of decoration. I learned from books that I picked up.
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Great stories happen all around you every day. At the time they’re happening, you don’t think of them as stories. You probably don’t think about them at all. You experience them. You enjoy them. You learn from them. You’re inspired by them. They only become stories if someone is wise enough to share them. That’s when a story is born.
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I developed friends in the community that were in walking distance or a bicycle ride away, so that I socialized and did a lot of things that children do in their early years.
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Charles Burchfield would look at what you were working on and not say anything for several minutes. Then he would very sensitively respond - Well, have you thought about? or Might you consider? I respected that so much because I thought he was so sensitive to my work, and didn't want to offend me, but in the right way to encourage me.
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One association with the arts that I vividly remember was a magazine called Normal Instructor, a teachers' magazine, that Miss George would hold up with illustrations of great artworks like [Vincent] van Gogh and Rembrandt [van Rijn].
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I know that I was conscious of all the aspects of the war, having had cousins who were in the army, who would send me notes and memorabilia. I began to collect things that they would send me.
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I think it was interesting that when you're in those formative years you respond to things that interest you and don't always know where they lead. But they accumulate and add up to something that enriches your later life or leads you to some new experience.
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My parents never prevented me from doing anything, but they didn't have the knowledge of the arts that Mrs. Ranger had.
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