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I've got a reason to believe we all be received in Graceland, Graceland, Memphis Tennessee.

Paul Simon

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Paul Simon
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More quotes by Paul Simon

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...what threatens us today in the world of computers and other invasions of privacy is not a national ID card but a number of other things.
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After all those years of automatic success, you don't get nervous any more. It's really necessary to be nervous and be a little bit frightened. It pumps the adrenalin into you and you really get down there and try.
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These are the days of miracle and wonder.
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How much can you do with two voices? You can sing thirds or you can sing fifths or you can do a background harmony.
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It was the year of the Beatles, it was the year of the Stones, it was 1964.
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The dialogue between what's going on in the world and what's going on internally seems to be a natural thing - well, it's natural to me, anyway, to have these thoughts.
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I don't very often think I've done a good job. I don't like the majority of what I do. I shouldn't say I don't like it, but I'm not satisfied with almost everything that I do.
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I don't think [Dylan and the Beatles] influenced me a lot. I think it was inevitable they were so powerful that you couldn't really escape the influence.
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When I first heard Elvis perform Bridge Over Trouble Water it was unbelivable,and I thought to myself, how the hell can I compete with that?
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A phenomenon occurs but because you're in the middle of it, you just think it's your life-until it's over. And then you look back and say, What an unusual thing happened to me in the '60s.
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Artie travels all the time. The rehearsals were just miserable. Artie and I fought all the time. He didn't want to do the show with my band he just wanted me on acoustic guitar.
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It was easier than explaining DiMaggio's use as a metaphor.
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I want to rid my heart of envy, and cleanse my soul of rage before I'm through.
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There must be 50 ways to leave your lover.
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Mama, don't take my Kodachrome away.
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She said, why don't we both just sleep on it tonight, And I believe, in the morning you'll begin to see the light. And then she kissed me and I realized she probably was right, There must be fifty ways to leave your lover, fifty ways to leave your lover.
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By the time I was 12 or 13, I felt that I was special, because I could play the guitar and write songs.
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I would be willing to do almost anything to make Art happy. I care about our friendship. The only thing I won't do is change the essence of my work.
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Take two bodies and you twirl them into one, their hearts and their bones, and they won't come undone.
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Not every song I write is ecstasy. And it can happen only one time. After that, when you sing the same melody and words, it's pleasure, but you don't get wiped out.
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