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The best advice is essentially that thing in the back of your mind that you really aren't sure of, and when you start to hear other people bring up the same concerns, you say, Okay, let's address that.

Paul Schrader

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Paul Schrader
Age: 78
Born: 1946
Born: July 22
Film Critic
Film Director
Screenwriter
Grand Rapids
Michigan
Paul Joseph Schrader
Sure
Address
Start
Essentially
Back
Concern
Best
Okay
Thing
Aren
Mind
Advice
Really
Bring
People
Hear
Concerns

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Those artists who say that somehow therapy or analysis will thwart their creativity are completely misinformed. It's absolutely the opposite: it opens closed doors.
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Words are a completely different form of expression. The word P-E-N-I-S is an entirely different form of communication than a photograph of the same thing. H
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The clock is impotent mechanical time does not affect those living in an eternal present.
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Ultimately, it's an illusion that you can understand yourself.
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Film noir is not a genre. It is not defined, as are the western and gangster genres, by conventions of setting and conflict, but rather by the more subtle qualities of tone and mood. It is a film 'noir', as opposed to the possible variants of film gray or film off-white.
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There's no escape. I'm God's only man.
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Let's just shoot in black and white. Don't explain why. Have no reason for it. Just do it because it's interesting.
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Ultimately, it's an illusion that you can understand yourself.
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That's just my disposition - to create a situation where you have to come up with something.
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Nobody has shot a strip club in black and white in a long time.
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As screenwriters, we struggle with our own success. We have wallpapered our world and now we can't get anyone to notice the picture we just hung.
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The secret of the creative life is to feel at ease with your own embarrassment.
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You know, when you're in your twenties you use a great deal of symbolism. You somehow think that a character standing beneath a cross is more interesting than a character standing underneath a billboard, but when you get a little older you realize that there's not much difference.
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I was looking for people who didn't have any preconceptions about films, what I call the post-rules generation.
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Once you have a situation that is fresh, then you sort of believe in it and it becomes normal. So you do end up with protagonists that haven't been in other movies before.
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The clock is impotent mechanical time does not affect those living in an eternal present.
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I get bored very easily. I find most movies boring. I go to movies and ask, How do they stay awake making this?
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I don't think it's very useful to open wide the door for young artists the ones who break down the door are more interesting.
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If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
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