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Those artists who say that somehow therapy or analysis will thwart their creativity are completely misinformed. It's absolutely the opposite: it opens closed doors.

Paul Schrader

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Paul Schrader
Age: 78
Born: 1946
Born: July 22
Film Critic
Film Director
Screenwriter
Grand Rapids
Michigan
Paul Joseph Schrader
Opposites
Somehow
Misinformed
Artists
Thwart
Absolutely
Opens
Creativity
Therapy
Completely
Closed
Doors
Analysis
Artist
Opposite

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Ultimately, it's an illusion that you can understand yourself.
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The secret of the creative life is to feel at ease with your own embarrassment.
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There's no escape. I'm God's only man.
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I want to be happy why do I do things that make me unhappy?
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I was looking for people who didn't have any preconceptions about films, what I call the post-rules generation.
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Words are a completely different form of expression. The word P-E-N-I-S is an entirely different form of communication than a photograph of the same thing. H
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Nobody has shot a strip club in black and white in a long time.
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The secret of the creative life is to feel at ease with your own embarrassment.
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Because many of the films I've made have had an intellectualedge, it's harder for me to lie. It's harder for me to go to peoplewith money and say I don't care about art, all I care about iscommerce all I really want to do is make money.
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As screenwriters, we struggle with our own success. We have wallpapered our world and now we can't get anyone to notice the picture we just hung.
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I was raised as a Calvinist, which is doctrine-driven. And though there are many things wrong with Calvinism, you are at least encouraged to argue about things.
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If you write interesting roles, you get interesting people to play them. If you write roles that are full of nuance and contradiction and have interesting dialog, actors are drawn to that.
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I get bored very easily. I find most movies boring. I go to movies and ask, How do they stay awake making this?
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I don't think it's very useful to open wide the door for young artists the ones who break down the door are more interesting.
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Once you have a situation that is fresh, then you sort of believe in it and it becomes normal. So you do end up with protagonists that haven't been in other movies before.
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The best advice is essentially that thing in the back of your mind that you really aren't sure of, and when you start to hear other people bring up the same concerns, you say, Okay, let's address that.
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Let's just shoot in black and white. Don't explain why. Have no reason for it. Just do it because it's interesting.
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That's just my disposition - to create a situation where you have to come up with something.
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The clock is impotent mechanical time does not affect those living in an eternal present.
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You know, when you're in your twenties you use a great deal of symbolism. You somehow think that a character standing beneath a cross is more interesting than a character standing underneath a billboard, but when you get a little older you realize that there's not much difference.
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