It's going to be an interesting dilemma for certain corporations. They've worked so hard to make themselves important in the way music goes out into the world, but it's completely irrelevant when people can get their music in a different way.

All change begins with someone having a thought.

I know, or I dream, that pop music can search out limits, mock restrictions and divisions, exorcise cultural nightmares, contribute to revitaiisation of people's thinking, disturb and inspire if only through its unstable mobility, its readiness to pursue apparently irrelevant links and private associations.

Essentially the soul of the planet is being controlled by corporations.

Pop music can play a large part in the way numerous young people determine their right to desire and their need to question.

I always thought that pop groups were going to be made up in the 21st century. It wouldn't be four musicians, as such. Especially in the online world, with the worlds that are opening up.

The remix culture became very much controlled by the corporate world, it's a marketing tool mostly, to create mixes for different genres. So it's very soul-less in a way.

There's different ways of presenting a pop group to the world. It doesn't have to be the same old poses.

There's endless possibilities to taking music into the future by using music that actually was 100 years old.