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[Buckminster Fuller] would pretend to be deaf at the right times.

Paul Laffoley

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Paul Laffoley
Age: 80 †
Born: 1935
Born: August 14
Died: 2015
Died: November 16
Architect
Artist
Diarist
Inventor
Cambridge
Massachusetts
Paul George
Jr. Laffoley
Fuller
Deaf
Pretend
Times
Right
Would

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Both [Nikola] Tesla and [Leon] Theremin were preternaturally young. I mean, for a long time Tesla was a young man well into his 70s. And so was Theremin, even though, at the end, he looked pretty old. But he was still doing things that young guys do, beyond the time you'd normally think people should be doing that stuff.
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Any sort of working drawings are simply diagrams. Architecture encourages your imagination to work that way.
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At one time in the mid-'70s I became the president of the Boston-Cambridge chapter of the World Future Society. Because I'd been in my studio by myself since 1968 on up. And the thing is that my social life consisted of being involved in organizations like that. I would get people to come and speak, and speak myself and that kind of stuff.
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[Nikola Tesla and Leon Theremin] were European gentlemen, very well-mannered, all of the stuff you associate with living in Europe.
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My father said he did have the mathematics of mind physics, or the physics of consciousness.
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When I was at Brown. In other words, I'd heard about [H.P. Lovecraft], but I didn't pay that much attention till I happened to go to a meeting about it. And then I got just totally turned on.
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In other words, [ H.P. Lovecraft] was areligious, asexual, neurasthenic, he just didn't want to react to the world. Like Virginia Woolf, who considered religion the ultimate obscenity.
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When I was in New York working for [Frederick] Kiesler, at night I listened to Jean Shephard who lasted from 1957 until 1976 and then went off the air. But also I was listening to Long John Nebel. Now, Long John was what Art Bell and George Noory do now.
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[My father] had this quirky thing of not believing in gravity. And giving me a constant headache about that one. He would say if I showed any interest in gravity, I was becoming a dupe of the system. He could see indications I was beginning to believe in it.
Paul Laffoley
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I think [H.P. Lovecraft] recognized what he was dealing with, he was dealing with demons. And he was dealing with creatures that're suffering. There's no way out of this suffering.
Paul Laffoley
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[My father] was always upset that my mother didn't want to live in New York. Because he said he wanted to live in a hotel and not have to mow the lawn and all that. In other words, he never liked sports clothes, he always liked to be dressed up formally, 24/7. And he drove big cars and, you know, just loved to act the banker.
Paul Laffoley
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I'd had the experience with Giuseppe Conti, I said, My God, that's my movie! I kept seeing [The Day the Earth Stood Still] everywhere I could. Then finally, when VHS and DVDs came out, I got that. And I keep watching it all the time.
Paul Laffoley
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I always had a sense of liking diagrams, from the time I was studying architecture. Architecture is built diagrams, basically.
Paul Laffoley
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In other words, you've got a journey as the plot, but it has to be in a lively environment, being able to create the mood. If you read Pickman's Model, in other words, they're winding their way through the Boston Streets and [H.P.] Lovecraft researched what was there.
Paul Laffoley
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[My father] was also a lawyer in his bank and specialized in tax law. He would have to do the tax returns for all the Harvard profs because they were buffaloed by that kind of reasoning. Professors in the economics department, even they knew nothing about it.
Paul Laffoley
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Boston is not an avant garde place. It stays literally 15 to 20 years behind New York at all times.
Paul Laffoley
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I like Colin Wilson, mainly because he never went to school. When you don't go to school you can say anything you want like that and not have to worry.
Paul Laffoley
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When [my father] reached his majority, he was the head of the family. Everybody depended upon him. He went into a very uptight appearance he would wear Chesterfield coats to work, Homburg hats, really getting into the whole thing. He knew people like Oscar Levant. He loved New York. He wanted to live there.
Paul Laffoley
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I would be constantly brought up on the carpet by these teachers who were brought up with Abstract Expressionism, saying, You're too uptight, you're not expressing yourself, why don't you feel freer? I said, Well, I don't like that stuff. It means nothing to me.
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We would go on retreats to Florence. The people in the planning team got to be good friends and so we did things like, we'd all go over to the Fort Belvedere in Florence and take that thing over. Because it's up for grabs, you can rent it. And then have New Age meetings and all that kind of stuff. [Buckminster] Fuller loved to go there.
Paul Laffoley