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We document, explain, justify, construct, organize: these are good things, but we do not succeed in coming to the whole. But we may as well calm down: construction is not absolute. Our virtue is this: by cultivating the exact we have laid the foundations for a science of art, including the unknown X.

Paul Klee

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Paul Klee
Age: 61 †
Born: 1879
Born: February 18
Died: 1940
Died: May 29
Designer
Graphic Artist
Lithographer
Painter
University Teacher
Visual Artist
Münchenbuchsee BE
p. klee
Klee
Paul Klee
Good
Coming
Unknown
Construct
Things
Virtue
Explain
Constructs
Science
Absolutes
Documents
Art
Absolute
Exact
May
Calm
Organize
Wells
Including
Construction
Cultivating
Well
Foundation
Laid
Document
Whole
Succeed
Justify
Foundations

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He has found his style, when he cannot do otherwise.
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To give emphasis only to beauty makes me think of a mathematics that deals with positive numbers only.
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The way to form transcends its own destination, goes beyond the end of the way itself.
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A tendency toward the abstract is inherent in linear expression: graphic imagery being confined to outlines has a fairy-like quality and at the same time can achieve great precision.
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By using patches of color and tone it is possible to capture every natural impression in the simplest way, freshly and immediately.
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Art does not reproduce the visible it makes visible.
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Genius is the error in the system.
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Make chance essential.
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What my art probably lacks is a kind of passionate humanity... There is no sensuous relationship, not even the noblest, between myself and the many.
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It is the artistic mission to penetrate as far as may be toward that secret ground where primal law feeds growth.
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All is well with me. The rain doesn't reach me, my room is well heated, what more can one ask for? There's no shortage of work, either.
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In my productive activity, every time a type grows beyond the stage of its genesis, and I have about reached the goal, the intensity gets lost very quickly, and I have to look for new ways.
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A line is a dot that went for a walk.
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Everything passes, and what remains of former times, what remains of life, is the spiritual. In everything we do, the claim of the Absolute is unchanging.
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Frightened, I jump up from the bank, the struggle begins anew. Bitterness has returned. I am not Pan in the reed, I am merely a human being and want to climb a few steps, but really climb them.
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Everything vanishes around me, and works are born as if out of the void. Ripe, graphic fruits fall off. My hand has become the obedient instrument of a remote will.
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In earlier times artists liked to show what was actually visible... nowadays we are concerned with reality, rather than the merely visible.
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My hand is entirely the implement of a distant sphere. It is not my head that functions but something else, something higher, something somewhere remote. I must have great friends there, dark as well as bright. They are all very kind to me.
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Gradually compositions make an appearance again. Political - satirical - conceits expressed in one figure or a few.
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Every artist would like to live in the central organ of creation... Not all are destined to get there... but our beating hearts drive us deep down, right into the pit of creation.
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