Quote

I have a clear view of 12 years of history of my inner self. First the cramped self, that self with big blinkers, then the disappearance of the blinkers and the self, now gradually the reemergence of a self without blinkers.

Paul Klee

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Paul Klee
Age: 61 †
Born: 1879
Born: February 18
Died: 1940
Died: May 29
Designer
Graphic Artist
Lithographer
Painter
University Teacher
Visual Artist
Münchenbuchsee BE
p. klee
Klee
Paul Klee
View
Self
Views
First
Years
Clear
Blinkers
Bigs
Cramped
History
Disappearance
Character
Gradually
Firsts
Inner
Without

More quotes by Paul Klee

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Democracy with its semi-civilization sincerely cherishes junk. The artists power should be spiritual. But the power of the majority is material. When these worlds meet occasionally, it is pure coincidence.
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Frightened, I jump up from the bank, the struggle begins anew. Bitterness has returned. I am not Pan in the reed, I am merely a human being and want to climb a few steps, but really climb them.
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A line is a dot that went for a walk.
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Satire must not be a kind of superfluous ill will, but ill will from a higher point of view. Ridiculous man, divine God. Or else, hatred against the bogged-down vileness of average man as against the possible heights that humanity might attain.
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What my art probably lacks is a kind of passionate humanity... There is no sensuous relationship, not even the noblest, between myself and the many.
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First of all, the art of living then as my ideal profession, poetry and philosophy, and as my real profession, plastic arts in the last resort, for lack of income, illustrations.
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A tendency toward the abstract is inherent in linear expression: graphic imagery being confined to outlines has a fairy-like quality and at the same time can achieve great precision.
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Sometimes I dream of a work of really great breadth, ranging through the whole region of object, meaning, and style. This, I fear, will remain a dream, but it is a good thing to bear the possibility occasionally in mind.
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All art is a memory of age-old things, dark things, whose fragments live on in the artist.
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To give emphasis only to beauty makes me think of a mathematics that deals with positive numbers only.
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Be winged arrows aiming at fulfillment and goal.
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Spatial art does not begin with a poetic mood or idea, but with construction of one or more figures, with the harmonizing of several colors and tones, or with the devaluation of spatial relationships and so on.
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When looking at any significant work of art, remember that a more significant one probably has had to be sacrificed.
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All is well with me. The rain doesn't reach me, my room is well heated, what more can one ask for? There's no shortage of work, either.
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He neither serves nor rules, he transmits. His position is humble and the beauty at the crown is not his own. He is merely a channel.
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There is no substitute for intuition.
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I want to be as though new-born, knowing nothing, absolutely nothing. Then I want to do something modest to work out by myself a tiny, formal motive, one that my pencil will be able to hold without technique.
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One day I will lie nowhere with an angel at my side.
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Genius is the error in the system.
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In my productive activity, every time a type grows beyond the stage of its genesis, and I have about reached the goal, the intensity gets lost very quickly, and I have to look for new ways.
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