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I optioned the magazine article. That was end of 2003. It was a time when the war was incredibly popular here and everyone was driving around with flags on their car, if you remember not too long ago.

Paul Haggis

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Paul Haggis
Age: 71
Born: 1953
Born: March 10
Film Director
Film Producer
Screenwriter
London
Ontario
Paul Edward Haggis
Remember
Magazines
Long
Popular
Time
Driving
Car
Article
Everyone
Flags
War
Magazine
Ends
Articles
Around
Incredibly

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I’m a deeply broken person, and broken institutions fascinate me.
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We think we know what's right. With excessive pride comes blindness.
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What I love about writing is the contradictions we all embody as human beings.
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I wanted to do a political film that is as nonpartisan as can be, because I wanted to do a story that was American. I wanted to tell an American tragedy.
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This is our fault. My fault as much as the next man's, because even if I was against the war, I didn't do enough to stop it.
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I've lived in America for many years. I mean, I love being a Canadian, but I truly identify with America. I love America so much.
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I was trying to talk about where we are right now as a society, and talk about the fear we all live in, and certainly since 9-11, how it's affected us and the world.
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You don't make a film because the audience is ready for it. You make a film because you have questions that are in your gut.
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I like taking genres and subverting them. I did that with In the Valley of Elah. I said, Okay, this is just a murder mystery. Relax. And then, two thirds of the way through, I broke every convention of a murder mystery.
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When I started to allow the characters to go where they wanted to go, I just had to follow.
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I just want to thank people who take big risks in their daily lives when there aren't cameras rolling. I want to dedicate this award to people who stand up for peace and against injustice and intolerance.
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It turns out that good actors can make anything believable.
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I like to really respect the audience and let them come through on answers.
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Walk through Santa Monica and try to find somebody who knows a young man or woman who's in this war. Here, war is an intellectual concept. If you lose your son or daughter, it's no longer an intellectual matter.
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We all have these tendencies in us that could go this way or that. I think that's the real key in writing. To look at a character without judgment.
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