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I always try and bring screenplay, shooting and editing into a sort of symbiotic - as close into alignment as you possibly can get them, consistent, obviously, with the resources that you've got and the time you've got available.

Paul Greengrass

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Paul Greengrass
Age: 69
Born: 1955
Born: January 1
Film Director
Film Producer
Filmmaker
Screenwriter
Television Director
Writer
Resources
Alignment
Close
Screenplays
Bring
Editing
Sort
Consistent
Trying
Possibly
Always
Shooting
Time
Obviously
Symbiotic
Available
Screenplay

More quotes by Paul Greengrass

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There's a script, then you're going to shoot the script and then you cut that and then that's the end of the film. And that's never really been how I've seen it.
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All directors make films in individual ways. But the classical kind of view of filmmaking is that you have a script and it's very linear.
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I think when you think of my films, I think hopefully you think of an extreme sort of real unfolding, real-time, performed, feeling semi-improvised, you know what I mean, all that.
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You sort of can't talk about the post production unless you talk about what comes first.
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That's one of the central challenges we face - how to stay true to events and compress the fundamentals.
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You face challenges and you have to make choices. You're weighing the necessary responsibility toward reality and authenticity and of course the need to create a compressed drama over two hours.
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The actor's job is to divine and embody the truth, and find it.
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You're trying to create a screenplay and your screenplay is there to give you a structure, rigidity, situational awareness, who the characters are, what do they want, what's the shape of the thing.
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In the end, it's acting, it's not real. But every director will tell you that you have to create conditions that create tension, because tension is what makes drama feel real.
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There's a film you write, there's a film you shoot, and there's a film that you cut - and they're all different.
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