Quote

The stultifying effect of the movies is not that the children see them but that their parents do, as if Hollywood provided a plausible adult recreation to grow up into.

Paul Goodman

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Paul Goodman
Age: 60 †
Born: 1911
Born: September 9
Died: 1972
Died: August 2
Lgbtiq+ Rights Activist
Literary Critic
Novelist
Poet
Political Scientist
Psychotherapist
Sociologist
Writer
the Village
Children
Hollywood
Effects
Stultifying
Parents
Plausible
Grow
Recreation
Movies
Provided
Parent
Adult
Movie
Effect
Grows
Adults

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Comedy deflates the sense precisely so that the underlying lubricity and malice may bubble to the surface.
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The family is the American fascism.
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For mankind, speech with a capital S is especially meaningful and committing, more than the content communicated. The outcry of the newborn and the sound of the bells are fraught with mystery more than the baby's woeful face or the venerable tower.
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When there is official censorship it is a sign that speech is serious. Where there is none, it is pretty certain that the official spokesmen have all the loud-speakers.
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Nothing could be more stupid than for the communications commission to give to people who handle the means of broadcasting the inventing of what to broadcast, and then, disturbed at the poor quality, to worry about censorship.
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A successful revolution establishes a new community. A missed revolution makes irrelevant the community that persists. And a compromised revolution tends to shatter the community that was, without an adequate substitute.
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The issue is not whether people are 'good enough' for a particular type of society rather it is a matter of developing the kind of social institutions that are most conducive to expanding the potentialities we have for intelligence, grace, sociability and freedom.
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An awkward consequence of heightening experience when one is inexperienced, of self-transcendence when one has not much world to lose, is that afterward one cannot be sure that one was somewhere or had newly experienced anything. If you aren't much in the world, how do you know you are out of this world?
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The important thing about travel in foreign lands is that it breaks the speech habits and makes you blab less, and breaks the habitual space-feeling because of different village plans and different landscapes. It is less important that there are different mores, for you counteract these with your own reaction-formations.
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We certainly have at present the dismal situation that the most imaginative men are directed by a group, the top managers, who are among the least.
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There is only one curriculum, no matter what the method of education: what is basic and universal in human experience and practice, the underlying structure of culture.
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It is by losing himself in the objective, in inquiry, creation, and craft, that a man becomes something.
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It then becomes necessary to stop short and make a choice: Either/Or. Either one drifts with their absurd system of ideas, believing that this is the human community. Or one dissents totally from their system of ideas and stands as a lonely human being. (But luckily one notices that the others are in the same crisis and making the same choices.)
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Comedy is something that we can all share, no matter what language we speak or our background, it has the power to unite us all.
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