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It is by losing himself in the objective, in inquiry, creation, and craft, that a man becomes something.
Paul Goodman
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Paul Goodman
Age: 60 †
Born: 1911
Born: September 9
Died: 1972
Died: August 2
Lgbtiq+ Rights Activist
Literary Critic
Novelist
Poet
Political Scientist
Psychotherapist
Sociologist
Writer
the Village
Losing
Creation
Involvement
Becomes
Inquiry
Something
Craft
Men
Objective
Crafts
Objectives
Commitment
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The family is the American fascism.
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The philosophic aim of education must be to get each one out of his isolated class and into the one humanity.
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The important thing about travel in foreign lands is that it breaks the speech habits and makes you blab less, and breaks the habitual space-feeling because of different village plans and different landscapes. It is less important that there are different mores, for you counteract these with your own reaction-formations.
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What the devil to do with the sentence Who the devil does he think he's fooling? You can't write Whom the devil- .
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We certainly have at present the dismal situation that the most imaginative men are directed by a group, the top managers, who are among the least.
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An awkward consequence of heightening experience when one is inexperienced, of self-transcendence when one has not much world to lose, is that afterward one cannot be sure that one was somewhere or had newly experienced anything. If you aren't much in the world, how do you know you are out of this world?
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Nothing could be more stupid than for the communications commission to give to people who handle the means of broadcasting the inventing of what to broadcast, and then, disturbed at the poor quality, to worry about censorship.
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For mankind, speech with a capital S is especially meaningful and committing, more than the content communicated. The outcry of the newborn and the sound of the bells are fraught with mystery more than the baby's woeful face or the venerable tower.
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The stultifying effect of the movies is not that the children see them but that their parents do, as if Hollywood provided a plausible adult recreation to grow up into.
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There is only one curriculum, no matter what the method of education: what is basic and universal in human experience and practice, the underlying structure of culture.
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Because of their historical theory of the alienation of labor (that the worker must become less and less in control of the work of his hands) the Marxist parties never fought for the man-worthy job itself.
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Comedy deflates the sense precisely so that the underlying lubricity and malice may bubble to the surface.
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It then becomes necessary to stop short and make a choice: Either/Or. Either one drifts with their absurd system of ideas, believing that this is the human community. Or one dissents totally from their system of ideas and stands as a lonely human being. (But luckily one notices that the others are in the same crisis and making the same choices.)
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The aim is not to give human beings real goals that warrant belief, and tasks to share in, but to re-establish belonging, although this kind of speech and thought is precisely calculated to avoid contact and so makes belonging impossible.
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