Quote

I plunged eagerly and passionately into the wilderness, as if in the hope of thus penetrating into the very heart of this Nature, powerful and maternal, there to blend with her living elements.

Paul Gauguin

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Paul Gauguin
Age: 55 †
Born: 1848
Born: January 1
Died: 1903
Died: January 1
Artist
Drawer
Graphic Artist
Painter
Sculptor
Paris
France
Eugène Henri Paul Gauguin
Eugene Henri Paul Gauguin
Paul Gaugin
Eugene-Henri Gauguin
Kao-keng
Pablo Gauguin
Eugène-Henri-Paul Gauguin
Gauguin
Polʹ Gogen
Paul Eugène Henri Gauguin
Eugène Henry Paul Gauguin
Eugene-Henri-Paul Gauguin
Paul Eugene Henri Gauguin
Eugene Henry Paul Gauguin
p. gauguin
gauguin paul
P. gaugin
Nature
Blend
Heart
Passionately
Wilderness
Thus
Elements
Plunged
Powerful
Maternal
Hope
Eagerly
Living
Penetrating

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A great sentiment can be rendered immediately. Dream on it and look for the simplest form in which you can express it.
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In art there are only two types of people: revolutionaries and plagiarists
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Seek art and abstraction in nature by dreaming in the presence of it.
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Oh mysterious world... I have become better for having understood and having loved thy human soul - a flower which has ceased to bloom and whose fragrance no one henceforth will breathe.
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The landscape with its violent, pure colours dazzled and blinded me. I was always uncertain.
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for Christ's sake, were the mountains blue, then chuck on some blue and don't go telling me that it was a blue a bit like this or like that, it was blue wasn't it? Good - make them blue and that's enough!
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Whatever may happen the sun will rise tomorrow as it rose to-day, beneficent and serene.
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I made a promise to keep a watch over myself, to remain master of myself, so that I might become a sure observer.
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In art, there are only two types of people: revolutionaries and plagiarists. And in the end, doesn't the revolutionary's work become official, once the State takes it over?
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Let everything about you breathe the calm and peace of the soul.
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Life being what it is, one dreams of revenge.
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There are two sorts of beauty one is the result of instinct, the other of study. A combination of the two, with the resulting modifications, brings with it a very complicated richness, which the art critic ought to try to discover.
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The great artist is a formulation of the greatest intelligence: he is the recipient of sensations which are the most delicate and consequently the most invisible expressions of the brain.
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I must confess that I too am a woman and that I am always prepared to applaud a woman who is more daring than I, and is equal to a man in fighting for freedom of behavior.
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Slyly, banteringly, but also overbearingly, the critic - the one who does not swallow anything whole, who waits until posterity has consecrated it before... howling - is among those who howl their admiration the way they howl their insults: don't be afraid, don't tremble - the beast doesn't have any nails or teeth, or even brain: it is stuffed.
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I am a great artist and I know it. It's because of what I am that I have endured so much suffering, so as to pursue my vocation, otherwise I would consider myself a rogue - which is what many people think I am, for that matter.
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By the combination of lines and colors, under the pretext of some motif taken from nature, I create symphonies and harmonies that represent nothing absolutely real in the ordinary sense of the word but are intended to give rise to thoughts as music does.
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And here in my isolation I can grow stronger. Poetry seems to come of itself, without effort, and I need only let myself dream a little while painting to suggest it.
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On an instrument you start from one tone. In painting you start from several.
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