Quote

If the term discussion has always seemed to me to imply mild warnings of wasted time, workshop sets off a clangorous alarm.

Paul Fussell

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Paul Fussell
Age: 88 †
Born: 1924
Born: March 22
Died: 2012
Died: May 23
Historian
Journalist
Literary Critic
Literary Historian
Military Historian
University Teacher
Writer
Pasadena
California
Term
Alarm
Always
Workshops
Time
Alarms
Wasted
Warning
Warnings
Sets
Workshop
Discussion
Imply
Seemed
Mild

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Most people who seek attention and regard by announcing that they're writing a novel are actually so devoid of narrative talent that they can't hold the attention of a dinner table for thirty seconds, even with a dirty joke.
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The past is not the present: pretending it is corrupts art and thus both rots the mind and shrivels the imagination and conscience.
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Understanding the past requires pretending that you don't know the present. It requires feeling its own pressure on your pulses without any ex post facto illumination.
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Travel at its truest is thus an ironic experience, and the best travellers . . . seem to be those able to hold two or three inconsistent ideas in their minds at the same time, or able to regard themselves as at once serious persons and clowns.
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Travelers learn not just foreign customs and curious cuisines and unfamiliar beliefs and novel forms of government. They learn, if they are lucky, humility.
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The simple is carefully shunned by those who labour to seem what they would be.
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So many bright futures consigned to the ashes of the past.So many dreams lost in the madness that had engulfed us.Except for a few widely scattered shouts of joy,the survivors of the abyss sat hollow-eyed and silent, trying to comprehend a world without war.
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If I didn't have writing, I'd be running down the street hurling grenades in people's faces.
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Those who fought know a secret about themselves, and it is not very nice.
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Every war is ironic because every war is worse than expected. Every war constitutes an irony of situation because its means are so melodramatically disproportionate to its presumed ends.
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Travel at its truest is thus an ironic experience.
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Tourism requires that you see conventional things, and that you see them in a conventional way.
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And the ideal travel writer is consumed not just with a will to know. He is also moved by a powerful will to teach.
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Americans are the only people in the world known to me whose status anxiety prompts them to advertise their college and university affiliations in the rear window of their automobiles.
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What someone doesn't want you to publish is journalism all else is publicity.
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A more or less accurate measure of class in America is TV size: the bigger your TV, the lower your class.
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Travel sharpens the senses. Abroad one feels, sees and hears things in an abnormal way.
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To get home you had to end the war. To end the war was the reason you fought it. The only reason.
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All the pathos and irony of leaving one's youth behind is thus implicit in every joyous moment of travel: one knows that the first joy can never be recovered, and the wise traveller learns not to repeat successes but tries new places all the time.
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Wars damage the civilian society as much as they damage the enemy. Soldiers never get over it.
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