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Katie Dippold, who I wrote the script with, she's very into ghosts and all that. So I go, Hey, why don't you talk to Katie?

Paul Feig

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Paul Feig
Age: 62
Born: 1962
Born: September 17
Actor
Film Actor
Film Director
Film Producer
Screenwriter
Television Actor
Television Producer
Mount Clemens
Michigan
Paul Samuel Feig
Scripts
Wrote
Talk
Katie
Ghosts
Hey
Script
Ghost

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For years, it's driven me crazy that women don't have better roles, especially in comedies. I know so many funny women but I always felt... misogynist streak is too strong a term - but a dismissiveness.
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I'm more of a science head, so I was like, how would a guy use - if there were ghosts - technology to bring them back?
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To me, there's nothing funnier than funny people in peril, because it's just a great springboard for people to be at a heightened emotionality and things get funnier.
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What's great about the geek spirit is that life never seems to stop us, and they never seem to kill our enthusiasm, our optimism and our hunger to experience the world. We keep our sense of humor, we protect our dignity, we talk to our friends about the experience and then we start again fresh the very next day.
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Throughout my teens, I just wanted to go somewhere I could wear a Donald Duck pin and no one would care.
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Hollywood is a business and movie studios are only going to do what's going to make money. It's not an altruistic thing. They are blatant grabs for money. Responsible studios want to make quality pictures, but at the same time nobody is going to make quality pictures they know aren't going to make any money.
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I hate that we're always called the all-female Ghostbusters, because you wouldn't refer to the original as the all-male Ghostbusters.
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Wearing a tuxedo isn't as simple as it sounds. I've been to a lot of award shows in Hollywood over the years and have seen some pretty sad tuxes. It's surprisingly easy to go off the rails.
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In my years of acting, the one thing I was never able to do convincingly was to laugh on camera. Fake-laugh.
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The greatest way for people to experience a comedy is to go in not knowing anything about it. But because of marketing, it's impossible. Marketing meaning that in order to get people to come you can't just go, 'Hey, there's a great movie - we're not going to show you anything from it but trust us!
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The dueling maturity levels in high school is such a source of comedy to me. I was always such a late developer. I was last to walk. I was last to ride a bike. I was last to have sex. That's why it's fun to portray one side of your childhood onscreen.
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I can't impress enough upon people that if you tell an honest story that people relate to and people believe and invest in, you can do anything.
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When guys see a movie starring women, they go, That must be filled with these characters I see in these movies who are such a drag. And that's just bad for everybody.
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There's nothing worse than the sequel that's a letdown from the first movie.
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What I do as a director is really create a safe environment that everyone can feel very comfortable in and experiment within so that they don't hold back anything. You never ever want someone to go, 'Oh I shouldn't have done that.' There isn't anything you shouldn't try. If it's terrible, who cares?
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You can never have a thousand percent batting average on jokes - it's just never going to happen.
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I always felt, and still feel, one of my best strengths as a director is having been an actor for a long time. Nobody knows actors and their insecurities and strengths and everything more than somebody who's done it before.
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I always hated high-school shows and high-school movies, because they were always about the cool kids. It was always about dating and sex, and all the popular kids, and the good-looking kids. And the nerds were super-nerdy cartoons, with tape on their glasses. I never saw 'my people' portrayed accurately.
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Where there seems to be a difference between guys being nuts and women being nuts is that guys are much more open in calling each other on stuff lots of insults and dirty names. Whereas women will talk frankly and honesty, but there also seems to be more passive aggressiveness.
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What you want is the thing that critics love and audiences love, but that's the hardest thing to do.
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